"But poetry is a way of language, it is not its subject or its maker's background or interests or hobbies or fixations. It is nearer to utterance than history.""I'm lazy but generally task oriented so having a hoop to jump through means eventually I'll make the effort.""I'm more interested in the meaning of funerals and the mourning that people do. It's not a retail experience. It's an existential one.""If I were assigned poems I suppose I'd write more of them but it is entirely voluntary and for the most part ignored in the market sense of the word so the language to me is most intimate, most important, most sublime and most satisfying when it gets done.""So I suppose poetry, language, the shaping of it, was and remains for me an effort to make sense out of essentially senseless situations.""Usually a poem takes shape accoustically - a line or a pair of lines will repeat itself in my ear.""Well the themes for me were and remain sex and love and grief and death - the things that make us and undo us, create and destroy, how we breed and disappear and the emotional context that surrounds these events."
Lynch was educated by nuns and Christian Brothers at Brother Rice High School in Bloomfield Hills, Michigan. Lynch then went to university and mortuary school, from which he graduated in 1973. He took over his father's funeral home in Milford, Michigan in 1974, a job he has held ever since. Lynch married in 1972 and divorced in 1984. He later remarried to Mary Tata in 1991. He has a daughter and three sons.
In 1970 Lynch went to Ireland for the first time, to find his family and read William Butler Yeats and James Joyce, an experience he recounts in his book Booking Passage: We Irish and Americans. He has returned many times since then, and now owns the small cottage in West Clare that was the home of his great-great-grandfather, and which was given as a wedding gift in the 19th century. He spends a portion of each year there.
His collection of essays, The Undertaking: Life Studies from the Dismal Trade, won the Heartland Prize for non-fiction, the American Book Award, and was a finalist for the National Book Award. It has been translated into seven languages. A second collection of essays, Bodies in Motion and at Rest, won the Great Lakes Book Award.
Lynch's work has appeared in The New Yorker, Poetry, The Paris Review, Harper's, Esquire, Newsweek, The Washington Post, The New York Times, The Los Angeles Times, The Irish Times, and The Times. His commentaries have been recorded and broadcast by BBC Radio, RTE and NPR.
Lynch is the recipient of grants and awards from the National Endowment for the Arts, the Michigan Council for the Arts, the Michigan Library Association, the Writers Voice Project, the National Book Foundation, the Arvon Foundation and the Irish Arts Council. He has read and lectured at universities and literary centers throughout Europe, the United Kingdom, Ireland, Australia, New Zealand and the United States. Lynch is also a regular presenter to professional conferences of funeral directors, hospice and medical ethics professionals, clergy, educators, and business leaders. He is an Adjunct Professor in the graduate creative writing program at the University of Michigan, Ann Arbor. He has appeared on C-SPAN, MSNBC, The Today Show, and the PBS Bill Moyers series, On Our Own Terms.
One of the wonderful things about Thomas Lynch's Skating With Heather Grace is its mix of accents and settings. In his first book of poems, Mr. Lynch shows himself a master of Irish-influenced invective, an echo of brogue recalling the days when a poet's curses meant something....
