Silvina Bullrich (4 October 1915, in Buenos Aires, Argentina — 2 July 1990, in Geneva, Switzerland) was a best-selling Argentine novelist, as well as an accomplished journalist, translator and screenwriter.
Silvina Bullrich was born to Rafael Bullrich (1877-1944), a distinguished Argentine cardiologist and Dean of the School of Medicine of the University of Buenos Aires and to María Laura Meyrelles de Bullrich. The second of three sisters, she was raised in a privileged background; despite the conservative Dr. Bullrich's disapproval, her mother occupied her free time introducing her daughters to classic literature and, unhappily married, frequently traveled with them to Paris, where Silvina's paternal grandfather had been a diplomat.
She married Arturo Palenque in 1936 and had one son. Devoting herself to writing, she contributed literary reviews to La Nación (then Argentina's wost-widely circulated daily) and, in 1939, had Vibraciones, a volume of poetry and Calles de Buenos Aires ("Streets of Buenos Aires") published. Befriending renown writers Adolfo Bioy Casares and Jorge Luis Borges, in 1945 she collaborated with the latter in a collection of prose titled Los compadritos ("The Poseurs"). These early years in Bullrich's career were accompanied by a difficult phase in her life. Her husband, a lawyer aligned with Argentina's influential conservative Catholic movement, was not a good provider and this, coupled with his disapproval of his wife's work, led to their divorce in 1946. Bullrich also lost her father, elder sister and paternal grandmother during this interim, the latter two of whom she was particularly close with. These experiences were likewise reflected in much of her work, which continued to set young ladies brought up in comfortable circumstances against prolongued, unhappy relationships and relative penury.
This trait was first in evidence in Historia de un silencio ("History of a Silent Moment") in 1949. That novel, set in the popular weekend destination of Tigre and written from a man's perspective, secured her reputation in the Argentine literary scene. Her Bodas de cristal ("Crystal Jubilee," 1951) and Telefono ocupado ("Busy Signal," 1956) continued showing her preference for detailing private moments and for allowing her characters to criticize male chauvinism or a weak character in women privately and in thought. "Crystal Jubilee" was also her first commercial success and coincided with her marriage to Marcelo Dupont, a happy interlude in her life which ended with his losing his battle with a sudden cancer in 1956.
Silvina Bullrich was awarded the Municipal Literary Prize for El hechicero ("The Sorcerer") and Un momento muy largo ("A Lasting Moment") in 1961 and the following year, she was invited to adapt French author Guy des Cars' novel Les Filles de joie ("Daughters of Happiness") into an Argentine film version; "A Lasting Moment" was likewise adapted into film with Bullrich's script in 1964. That year, she ventured into her first work dealing with social problems in Argentina, Los burgueses ("The Bourgeoisie"), which sold about 60,000 copies in Argentina and was translated into several languages; over the length of her career, this became her best-selling novel. Her Mañana digo basta ("Tomorrow I'll Say, Enough!") was likewise hailed as a compelling feminist argument following its 1968 publication, El mundo que yo vi ("The World I Saw," 1969) was a well-received account of her extensive travels through Europe and Asia and her Los pasajeros del jardín ("Wanderers in the Garden"), a sentimental account of her marriage with Marcelo Dupont, earned her a National Literary Prize in 1972. Her continued success led to a 1975 film adaptation of her novel "Crystal Jubilee," for which she wrote the screenplay. Continuing to write as a means of exposing deep-seated national problems, she published an indictment of Argentina's cumbersome and often corrupt judicial system in Será justicia ("Justice Be Done," a protocol closing phrase found in all legal briefs in Argentina). Published in 1976, this work coincided with the advent of Argentina's brutal last dictatorship and was the last of Bullrich's acclaimed works. She thereafter limited herself to less controversial novels (without abandoning her feminist points of view) and her memoirs, published in 1980.
An accomplished linguist, Bullrich translated not only Le Filles de joie as screenwriter; but also for Argentine editions of works by Simone de Beauvoir, Beatrix Beck, Graham Greene, Louis Jouvet and George Sand (about whom she also wrote a biography in 1946). She shared her talent as a Professor of French Literature at the prestigious National University of La Plata. She contributed to an acclaimed 1984 documentary, quien quiera oír que oiga ("Listen if You Want"); while not a Peronist, Bullrich's commentary highlighted the late first lady's significance to the role of women in Argentina. Remaining close to her friend and former collaborator, Jorge Luis Borges, Bullrich visited him shortly before his death in Geneva in 1986. That year, she published her last work: La bicicleta. A commentary on the country's recent financial crisis, "The Bicycle" is also a slang term in Argentina analogous to "robbing Peter to pay Paul." A long-time smoker, she developed lung cancer and soon herself relocated to Geneva, seeking specialized medical care. Silvina Bullrich died there on 2 July 1990; she was seventy-four.
