"Being abroad makes you conscious of the whole imitative side of human behavior. The ape in man.""Europe is the unfinished negative of which America is the proof.""Every age has a keyhole to which its eye is pasted.""Every word she writes is a lie, including and and the.""I am putting real plums into an imaginary cake.""I suppose everyone continues to be interested in the quest for the self, but what you feel when you're older, I think, is that you really must make the self.""I'm afraid I'm not sufficiently inhibited about the things that other women are inhibited about for me. They feel that you've given away trade secrets.""If someone tells you he is going to make a "realistic decision," you immediately understand that he has resolved to do something bad.""In politics, it seems, retreat is honorable if dictated by military considerations and shameful if even suggested for ethical reasons.""In science, all facts, no matter how trivial or banal, enjoy democratic equality.""In violence, we forget who we are.""Is it really so difficult to tell a good action from a bad one? I think one usually knows right away or a moment afterward, in a horrid flash of regret.""Labor is work that leaves no trace behind it when it is finished, or if it does, as in the case of the tilled field, this product of human activity requires still more labor, incessant, tireless labor, to maintain its identity as a "work" of man.""Liberty, as it is conceived by current opinion, has nothing inherent about it; it is a sort of gift or trust bestowed on the individual by the state pending good behavior.""Life for the European is a career; for the American it is a hazard.""People with bad consciences always fear the judgment of children.""The American character looks always as if it had just had a rather bad haircut, which gives it, in our eyes at any rate, a greater humanity than the European, which even among its beggars has an all too professional air.""The immense popularity of American movies abroad demonstrates that Europe is the unfinished negative of which America is the proof.""The labor of keeping house is labor in its most naked state, for labor is toil that never finishes, toil that has to be begun again the moment it is completed, toil that is destroyed and consumed by the life process.""The suspense of a novel is not only in the reader, but in the novelist, who is intensely curious about what will happen to the hero.""The theater is the only branch of art much cared for by people of wealth; like canasta, it does away with the brother of talk after dinner.""We all live in suspense from day to day; in other words, you are the hero of your own story.""We are the hero of our own story.""When an American heiress wants to buy a man, she at once crosses the Atlantic. The only really materialistic people I have ever met have been Europeans.""You musn't force sex to do the work of love or love to do the work of sex."
Born in Seattle, Washington, to Roy Winfield McCarthy and his wife, the former Therese Preston, McCarthy was orphaned at the age of six when both her parents died in the great flu epidemic of 1918. She and her brothers, Kevin, Preston, and Sheridan were raised in very unhappy circumstances by her Catholic father's parents in Minneapolis, Minnesota, under the direct care of an uncle and aunt she remembered for harsh treatment and abuse.
When the situation became intolerable, she was taken in by her maternal grandparents in Seattle, Augusta Morganstern, who was Jewish, and Harold Preston, a prominent attorney and co-founder of the law firm Preston Gates & Ellis, who was an Episcopalian. (Her brothers were sent to boarding school.) McCarthy credited her grandfather, who helped draft one of the nation's first Workmen's Compensation Acts, with helping form her liberal views. McCarthy explores the complex events of her early life in Minneapolis and her coming of age in Seattle in her memoir, Memories of a Catholic Girlhood. Her actor brother, Kevin McCarthy went on to star in such movies as Death of a Salesman (1951) and Invasion of the Body Snatchers (1956).
Under the guardianship of the Prestons, McCarthy studied at the Forest Ridge School of the Sacred Heart in Seattle, and went on to graduate from Vassar College in Poughkeepsie, New York, in 1933.
McCarthy left the Catholic Church as a young woman when she became an atheist. In her contrarian fashion, McCarthy treasured her religious education for the classical foundation it provided her intellect while at the same time she depicted her loss of faith and her contests with religious authority as essential to her character.
In New York, she moved in "fellow-traveling" Communist circles early in the 1930s, but by the latter half of the decade she repudiated Soviet-style Communism, expressing solidarity with Leon Trotsky after the Moscow Trials, and vigorously countering playwrights and authors she considered to be sympathetic to Stalinism.
As part of the Partisan Review circle and as a contributor to The Nation, The New Republic, Harper's Magazine, and The New York Review of Books, she garnered attention as a cutting critic, advocating the necessity for creative autonomy that transcends doctrine. During the 1940s and 1950s she became a liberal critic of both McCarthyism and Communism. She maintained her commitment to liberal critiques of culture and power to the end of her life, opposing the Vietnam War in the 1960s and covering the Watergate scandal hearings in the 1970s. She visited Vietnam a number of times during the Vietnam War. Interviewed after her first trip, she declared on British television that there was not a single documented case of the Viet Cong deliberately killing a South Vietnamese woman or child. She wrote favorably about the Vietcong.
She married four times. In 1933 she married Harald Johnsrud, an actor and would-be playwright. Her best-known spouse was the writer and critic Edmund Wilson, whom she married in 1938 after leaving her lover Philip Rahv, and by whom she had a son, Reuel Wilson. In 1961, McCarthy married career diplomat James R. West.
Although she broke ranks with some of her Partisan Review colleagues when they swerved toward conservative politics after World War II, she carried on life-long friendships with Dwight Macdonald, Nicola Chiaromonte, Philip Rahv and Elizabeth Hardwick. Perhaps most prized of all was her close friendship with Hannah Arendt, with whom she maintained a sizable correspondence widely regarded for its intellectual rigor.
Her debut novel, The Company She Keeps received critical acclaim as a succès de scandale, depicting the social milieu of New York intellectuals of the late 1930s with unreserved frankness. After building a reputation as a satirist and critic, McCarthy enjoyed popular success when her 1963 novel The Group remained on the New York Times Best Seller list for almost two years. Her work is noted for its precise prose and its complex mixture of autobiography and fiction.
Randall Jarrell's 1954 novel Pictures from an Institution is said to be about McCarthy's year teaching at Sarah Lawrence.
Her feud with fellow writer Lillian Hellman formed the basis for the play Imaginary Friends by Nora Ephron. The feud had simmered since the late 1930s over ideological differences, particularly the questions of the Moscow Trials and of Hellman's support for the "Popular Front" with Stalin. McCarthy provoked Hellman in 1979 when she famously said on The Dick Cavett Show: "every word [Hellman] writes is a lie, including 'and' and 'the'." Hellman responded by filing a $2.5 million libel suit against McCarthy. (The suit ended shortly after Hellman died in 1984.) Observers of the trial noted that the resulting irony of Hellman's defamation suit is that it brought significant disrepute upon herself (Hellman) by forcing McCarthy and her supporters to prove that she was a liar in court.
McCarthy was a member of the National Institute of Arts and Letters. In 1973 She delivered the prestigious Huizinga Lecture in Leiden, The Netherlands, under the title: Can there be a Gothic Literature. She won the National Medal for Literature and the Edward MacDowell Medal in 1984.
The Company She Keeps (1942), Harvest/HBJ, 2003 reprint:ISBN 0-15-602786-0
The Oasis (1949), Backinprint.com, 1999 edition:ISBN 1-58348-392-6
The Groves of Academe (1952), Harvest/HBJ, 2002 reprint:ISBN 0-15-602787-9
A Charmed Life (1955), Harvest Books, 1992 reprint:ISBN 0-15-616774-3
Venice Observed (1956), Harvest/HBJ, 1963 edition:ISBN 0-15-693521-X (the 1963 edition lacks the illustrations present in the original book)
The Stones of Florence (1956), Harvest/HBJ, 2002 reprint of 1963 edition:ISBN 0-15-602763-1 (the 1963 edition lacks the illustrations present in the original book)
Memories of a Catholic Girlhood (1957), Harvest/HBJ, 1972 reprint:ISBN 0-15-658650-9 (autobiography)
On the Contrary (1961)
The Group (1962), Harvest/HBJ, 1991 reprint:ISBN 0-15-637208-8, adapted as a 1966 movie of the same name.
Vietnam (1967)
Hanoi (1968)
The Writing on the Wall (1970)
Birds of America (1971), Harcourt 1992 reprint:ISBN 0-15-612630-3
Medina (1972)
The Mask of State: Watergate Portraits (1974)
Cannibals and Missionaries (1979), Harvest/HBJ, 1991 reprint:ISBN 0-15-615386-6 (novel explores the psychology of terrorism)
Ideas and the Novel (1980)
How I Grew (1987), Harvest Books, ISBN 0-15-642185-2 (intellectual autobiography age 13—21)
Intellectual Memoirs (1992), published posthumously (edited and with a foreword by Elizabeth Hardwick)
A Bolt from the Blue and Other Essays (2002), New York Review Books, (compilation of essays and critiques), ISBN 1-59017-010-5
Books about McCarthy
Sabrina Fuchs Abrams, Mary Mccarthy: Gender, Politics, And The Postwar Intellectual, (2004), Peter Lang Publishing, ISBN 0-8204-6807-X
Frances Kiernan, Seeing Mary Plain: A Life of Mary McCarthy, (2000), W.W. Norton, ISBN 0-393-32307-2
Eve Stwertka (editor), Twenty-Four Ways of Looking at Mary McCarthy: The Writer and Her Work, (1996), Greenwood Press, ISBN 0-313-29776-2
Carol Brightman (editor), Between Friends: The Correspondence of Hannah Arendt and Mary McCarthy 1949-1975, (1996), Harvest/HBJ, ISBN 0-15-600250-7
Carol Brightman, Writing Dangerously: Mary McCarthy And Her World, (1992), Harvest Books, ISBN 0-15-600067-9
Joy Bennet, Mary McCarthy; An Annotated Bibliography, (1992), Garland Press, ISBN 0-8240-7028-3
Carol Gelderman, Mary McCarthy: A Life, 1990, St Martins Press, ISBN 0-312-00565-2
