"I go to work the minute I open my eyes." -- Lynda Barry
Lynda Barry (born January 2, 1956) is an American cartoonist and author. One of the most successful non-mainstream American cartoonists, Barry is perhaps best known for her weekly comic strip Ernie Pook's Comeek. Barry's cartoons often view family life from the perspective of pre-teen girls from the wrong side of the tracks — Arna (the sensitive, freckled observer) and the cousins with whom she lives; pig-tailed Marlys (gifted, exuberant, snarky, and spastic); and the older Maybonne (concerned with social justice, music, makeup, hairdos and boys) and Freddie (gay, sweet, bullied, fascinated with bugs and monsters); but she often ventures far afield from this, such as in her strips featuring a Beat Poet poodle named Fred Milton. She has also produced novels. She garnered attention with her book The Good Times are Killing Me about an interracial friendship between two young girls. The book was made into a play. Her novel "Cruddy" (2000) was well received. "One! Hundred! Demons!" (2002) a graphic novel she terms "Autobiofictionalography" uses collage and a Zen Ink painting exercise to address personal and social topics that have been demonized. "What It Is" (2008) is a graphic novel that is part memoir, part collage and part workbook in which Barry instructs her readers in methods to open up their own creativity. "What It Is" won the 2009 Eisner Award for Best Reality-Based Work.
"Cartoonist was the weirdest name I finally let myself have. I would never say it. When I heard it I silently thought, what an awful word.""Going on Letterman is like going off the high dive. It's exhilarating, but after a while it wasn't the kind of thrill I enjoyed.""Humor is such a wonderful thing, helping you realize what a fool you are but how beautiful that is at the same time.""I am not sure how much I would like being married if I wasn't married to him. A man who likes flea markets and isn't gay? I knew I was lucky.""I do dumb stuff, like playing my favorite dumb Barry White song and lip-synching into the mirror so it looks like his voice is coming out of my mouth.""I listen like mad to any conversation taking place next to me just trying to hear why this is funny. Women's restrooms are especially great. I wash my hands twice waiting for people to come in and start talking.""I need to be cheered up a lot. I think funny people are people who need to be cheered up.""I started doing cartoons when I was about 21. I never thought I would be a cartoonist. It happened behind my back. I was always a painter and drawer.""I used to live a very social life and never spend much solitary time looking at birds or reading.""I was unable to sleep and I would stay up and draw these little cartoons. Then a friend showed them around. Before I knew it I was a cartoonist.""I wasn't afraid to be laughed at or be loud.""I've gotten a lot of livid letters about the awfulness of my work. I've never known what to make of it. Why do people bother to write if they hate what I do?""If I didn't try to eavesdrop on every bus ride I take or look for the humor when I go for a walk, I would just be depressed all the time.""If I had had me for a student I would have thrown me out of class immediately.""If it is your time, love will track you down like a cruise missile.""In life there are always these things happening if you can just get the joke.""Love is an exploding cigar we willingly smoke.""Love will make a way out of no way.""People think that whatever I put into strips has happened to me in my life.""Race and class are the easiest divisions. It's very stupid.""Remember how you used to be able to feel your bed breathing and the walls spinning when you were a kid?""The strips are nearly effortless unless I am really emotionally upset, a wreck.""There was a beautiful time in the beginning when I just did it and didn't analyze the consequences, but I think that time ends in everyone's work."
Born in Richland Center, Wisconsin, Barry moved as a child to Washington. She is one quarter-Filipina, half Irish (each parent is half Irish), and one quarter Norwegian.
She went to the same high school as artist Charles Burns. At The Evergreen State College in Olympia, Washington she met fellow cartoonist Matt Groening, who first published "Ernie Pook's Comeek" in the school paper without her knowledge.
After graduating Evergreen she moved to Seattle, and when she was 23 the Chicago Reader picked up her comic strip, enabling her to make a living from her comics alone. She later moved to Chicago, Illinois. While Barry's work is humorous, the undertones are usually serious. It depicts life as harsh but occasionally joyful. Her work addresses themes of intolerance and psychic pain, and at times includes some starkly left-wing political commentary.
Barry's comics do not strive to depict beauty or demonstrate artistic virtuosity and in that sense are similar to her peers Matt Groening (like her, a graduate of The Evergreen State College), Lloyd Dangle, and Mark Alan Stamaty — but for all their grubbiness are extremely expressive and evocative.
The visual aspect of her work follows the verbal. She has an extreme facility in reproducing the voices of children and adolescents. While some comics purists complain that her young characters lack elbows, the psychological depth and humanity of those characters calls the reader to take a second look at Barry's drawings. While unconventionally rendered, they carry an undeniable psychic charge legible in the context of her writing.
Barry's early work was rendered with pen and had a distinctly New Wave, '80s look, but she told The Comics Journal that she was forced to give up the pen because it was hurting her wrist, turning to a brush which gave her work a much looser, child-like quality.
In her latest books, One! Hundred! Demons! and What It Is, she works with color and collage. These works possess a vitality and visual beauty few would deny. Opening with tens of pages that combine collage with the thesis of the book, What It Is expands the genre of the graphic novel, bringing its bounds closer on one side to collage and on another to the picture book.
Barry has moved her line of comics primarily onto the web.
Books
Barry's books include The Good Times are Killing Me, also a musical play that appeared off-Broadway, The Greatest of Marlys, The Freddie Stories, Cruddy: An Illustrated Novel, One! Hundred! Demons!, a collection of the series published in venues such as Salon.com and, most recently, What It Is.
Her backlist includes Everything in the World, The Fun House, It's So Magic, Naked Ladies Naked Ladies Naked Ladies, Shake a Tail Feather, Down the Street, Big Ideas, Come Over Come Over, Girls and Boys and My Perfect Life.
The book ONE! HUNDRED! DEMONS! first appeared as a serialized comic on Salon.com, then as a hardcover book from Sasquatch Books. According to the book's own introduction, it was produced in emulation of an old Zen painting exercise called "one hundred demons." In this exercise the practitioner awaits the arrival of demons and then paints them as they arise in the mind. This is done, one supposes, as a form of exorcism. The demons Barry wrestles with in this book are, among others, regret, abusive relationships, self consciousness, the prohibition against feeling hate, and her response to the results of the 2000 U.S. presidential elections.
The book contains an instructional section that encourages readers to take up the brush and follow her example.
Workshop
Barry offers a workshop titled "Writing the Unthinkable" through the Omega Institute in Rhinebeck, New York, and The Crossings in Austin, Texas, in which she teaches the process she uses to create all of her work.
She credits her teacher, Marilyn Frasca, at The Evergreen State College, with teaching her these techniques.
Barry is also a big fan of Mary Parker Follett's Creative Experience.
Many of these techniques appear in her book What It Is.
Other published work
Lynda Barry's spoken-word CD The Lynda Barry Experience contains a variety of her semi-autobiographical stories, such as "I Got an Accordion", "Good Grief, It's the Aswang", "The Lesbo Story", and "I Remember Mike". It also contains a variety of home-made answering machine outgoing messages.
While they were still in college together, Matt Groening proposed to Lynda, who declined. He still notes, whenever he mentions her in print, that she is "Funk Queen of the Galaxy", in response to her references to him as "Funk Lord of USA".
For a time, Barry dated public-radio personality Ira Glass, who moved to Chicago in 1989 to be with her.
Barry is married to Kevin Kawula, a prairie restoration expert. They met each other while she was an artist-in-residence at the Ragdale Foundation and he was land manager of the Lake Forest Open Lands project in Lake Forest, Illinois. They live on a farm near Footville, Wisconsin.
More recently, she has become an outspoken critic of wind power.
