"Artists are, above all, men who want to become inhuman." -- Guillaume Apollinaire
Wilhelm Albert W?odzimierz Apolinary Kostrowicki, known as Guillaume Apollinaire (; Rome, 26 August 1880–9 November 1918, Paris) was a French poet, playwright, and art critic born in Italy to a Polish mother.
Among the foremost poets of the early 20th century, he is credited with coining the word Surrealism and writing one of the earliest works described as surrealist, the play The Breasts of Tiresias (1917, used as the basis for a 1947 opera). Two years after being wounded in World War I, he died in the Spanish flu pandemic of 1918 at age 38.
"A structure becomes architectural, and not sculptural, when its elements no longer have their justification in nature.""I hate artists who are not of their time.""I love men, not for what unites them, but for what divides them, and I want to know most of all what gnaws at their hearts.""It's raining my soul, it's raining, but it's raining dead eyes.""Joy always came after pain.""Now and then it's good to pause in our pursuit of happiness and just be happy.""One can't carry one's father's corpse about everywhere.""The plastic virtues: purity, unity, and truth, keep nature in subjection.""When man wanted to make a machine that would walk he created the wheel, which does not resemble a leg.""Without poets, without artists, men would soon weary of nature's monotony."
Born Wilhelm Apollinaris de Kostrowitzky and raised speaking French, among other languages, he emigrated to France and adopted the name Guillaume Apollinaire. His mother, born Angelica Kostrowicka, was a Polish noblewoman born near Navahrudak (now in Belarus). Apollinaire's father is unknown but may have been Francesco Flugi d'Aspermont, a Swiss Italian aristocrat who disappeared early from Apollinaire's life. Apollinaire was partly educated in Monaco.
Apollinaire was one of the most popular members of the artistic community of Montparnasse in Paris. His friends and collaborators in that period included Pablo Picasso, Gertrude Stein, Max Jacob, André Salmon, Marie Laurencin, André Breton, André Derain, Faik Konica, Blaise Cendrars, Pierre Reverdy, Alexandra Exter, Jean Cocteau, Erik Satie, Ossip Zadkine, Marc Chagall, and Marcel Duchamp. In 1911, he joined the Puteaux Group, a branch of the cubist movement.
On 7 September 1911, police arrested and jailed him on suspicion of stealing the Mona Lisa, but released him a week later. Apollinaire then implicated his friend Pablo Picasso, who was also brought in for questioning in the art theft, but he was also exonerated. He once called for the Louvre to be burnt down.
He fought in World War I and, in 1916, received a serious shrapnel wound to the temple. He wrote Les Mamelles de Tirésias while recovering from this wound. During this period he coined the word surrealism in the program notes for Jean Cocteau and Erik Satie's ballet Parade, first performed on 18 May 1917. He also published an artistic manifesto, L'Esprit nouveau et les poètes. Apollinaire's status as a literary critic is most famous and influential in his recognition of the Marquis de Sade, whose works were for a long time obscure, yet arising in popularity as an influence upon the Dada and Surrealist art movements going on in Montparnasse at the beginning of the twentieth century as, "The freest spirit that ever existed."
The war-weakened Apollinaire died of influenza during the Spanish Flu pandemic of 1918. He was interred in the Père Lachaise Cemetery, Paris.
Apollinaire's first collection of poetry was L'enchanteur pourrissant (1909), but Alcools (1913) established his reputation. The poems, influenced in part by the Symbolist, juxtapose the old and the new, combining traditional poetic forms with modern imagery. In 1913, Apollinaire published the essay Les Peintres cubistes on the cubist painters, a movement which he helped to define. He also coined the term orphism to describe a tendency towards absolute abstraction in the paintings of Robert Delaunay and others.
In 1907, Apollinaire wrote the well-known erotic novel, The Eleven Thousand Rods (Les Onze Mille Verges). Officially banned in France until 1970, various printings of it circulated widely for many years. Apollinaire never publicly acknowledged authorship of the novel. Another erotic novel attributed to him was The Exploits of a Young Don Juan (Les exploits d'un jeune Don Juan), in which the 15-year-old hero fathers three children with various members of his entourage, including his aunt. The book was made into a movie in 1987.
Shortly after his death, Calligrammes, a collection of his concrete poetry (poetry in which typography and layout adds to the overall effect), and more orthodox, though still modernist poems informed by Apollinaire's experiences in the First World War and in which he often used the technique of automatic writing, was published.
In his youth Apollinaire lived for a short while in Belgium, mastering the Walloon dialect sufficiently to write poetry through that medium, some of which has survived.
Poetry:
Le bestiaire ou le cortège d’Orphée, 1911
Alcools, 1913
Vitam impendere amori', 1917
Calligrammes, poèmes de la paix et de la guerre 1913-1916, 1918 (published shortly after Apollinaire's death)
Il y a..., 1925
Julie ou la rose, 1927
Ombre de mon amour, poems addressed to Louise de Coligny-Châtillon, 1947
Poèmes secrets à Madeleine, pirated edition, 1949
Le Guetteur mélancolique, previously unpublished works, 1952
Poèmes à Lou, 1955
Soldes, previously unpublished works, 1985
Et moi aussi je suis peintre, album of drawings for Calligrammes, from a private collection, published 2006
Prose:
Mirely ou le Petit Trou pas cher, 1900
"Que faire?",
Les Onze Mille Verges ou les amours d'un hospodar, 1907
L'enchanteur pourrissant, 1909
L'Hérèsiarque et Cie (short story collection), 1910
Les exploits d’un jeune Don Juan, 1911
La Rome des Borgia, 1914
La Fin de Babylone - L'Histoire romanesque 1/3, 1914
Les Trois Don Juan - L'Histoire romanesque 2/3, 1915
Le poète assassiné, 1916
La femme assise, 1920
Les Épingles (short story collection), 1928
Plays:
Les Mamelles de Tirésias, play, 1917
La Bréhatine, screenplay (collaboration with André Billy), 1917
Couleurs du temps, 1918
Casanova, published 1952
Articles:
Le Théâtre Italien, illustrated encyclopedia, 1910
Pages d'histoire, chronique des grands siècles de France, chronicles, 1912
Méditations esthétiques. Les peintres cubistes, 1913