"Alan is a great guy, a terrific guy. We haven't worked together since then, and he's always working with different artists. I think he sees different dimensions he can see from different guys.""Alan was always interested in politics in a major way. He actually believes that anarchy is a politically viable system, but I don't. I was always interested in putting forward the ideas that represented my viewpoint. I feel the same about anything I'm doing.""But if you have a point of view and you're an artist or a writer, it's kind of crazy to not take advantage of that, especially if you can do something that's entertaining as well. I've done a number of things like that over the years.""I do like to work on a Marvel method, so if I've got the opportunity, and the writer is happy to do it, I like to have a writer detail what happens on a page, but not saying what happens in every scene.""I just sit at the drawing board most of the time. I am used to talking to people. I love going to conventions, getting feedback and talking to people. Some artists don't. Some artists sit at their drawing board because their personality actually dictates that.""I understand why people do vote on the conservative side of the ticket because people have a tendency to go for strong governments when really, from an idealistic point of view, it's a bad thing.""I'm interested in how artists and writers do this, using art as therapy. Escaping into the worlds we create. We're all victims and few of us are truly free.""I'm interested in why people compromise when they shouldn't. It comes back to what V's about in a sense. We've all got ideals, but given the right circumstances, we'll forget about them and put them behind us. I'm very interested in why people do that.""I've always been a liberal and I've always had strong socialist leanings.""It's absolutely of no importance who or what V was under the mask. He isn't a who or a what, he's an idea. The thing is, you couldn't continue it. Now and then the idea of a sequel has been raised, in vague forms, but I think it would be a bad idea. The story's finished.""Kickback is a police thriller which I wrote. I'm very proud of it. I did it in two parts for France because when I wrote it, there wasn't the audience demand for crime stuff that there is now.""Our society's need for escapism has always interested me.""Part of the plot was a knock that V wanted to bring down the government and bring chaos. I don't know why I thought of Guy Fawkes, because it was during the summer. I thought that would be great if he looked like Guy Fawkes, kind of theatrical.""They did offer me a chance of being a V in the crowd, but it's not my scene. I think they just thought it would be fun for me to do that, but I don't know. I heard that Stan Lee appears in every movie of his.""V is like a mythical situation. It's an allegory for what could happen. V has philosophies within it that actually warn against things like that happening.""We spend more time developing means of escaping our troubles than we do solving the troubles we're trying to escape from.""When we were talking about this, an idea for this master vigilante, it was an urban guerilla. One of my ideas was that he would be a member of the police force who turned on the government.""You are not going to get peace with millions of armed men. The chariot of peace cannot advance over a road littered with cannon."
Lloyd started working in comics in the late 1970s, drawing for Halls of Horror, TV Comic and a number of Marvel UK titles. With writer Steve Parkhouse, he created the pulp adventure character Night Raven.
Dez Skinn set up Warrior magazine in 1982, he asked Lloyd to create a new pulp character. Lloyd and writer Alan Moore (who had previously collaborated on several Doctor Who stories at Marvel UK) created V for Vendetta, a dystopian adventure featuring a flamboyant anarchist terrorist fighting against a future fascist government. Lloyd, who illustrated in cinematic chiaroscuro, devised V's Guy Fawkes-inspired appearance and suggested that Moore avoid captions, sound effects and thought balloons. After Warrior folded in 1984, the series was reprinted and continued in colour by DC Comics and collected as a graphic novel in 1995. It was adapted into a film released in 2006.
Lloyd has also worked on Espers, with writer James D. Hudnall, for Eclipse Comics; Hellblazer, with writers Grant Morrison and Jamie Delano, and War Story, with Garth Ennis, for DC; and Global Frequency, with Warren Ellis, for Wildstorm. With Delano he also drew The Territory for Dark Horse, where he has also worked on some of their licensed properties like Aliens and James Bond. He has also created a graphic novel, Kickback, for French publisher Editions Carabas, which is available in the US and UK via Dark Horse (ISBN 1-59307-659-2).
CCI, Day 2 - "V For Vendetta" Artist David Lloyd Speaks, conducted by Bob Wayne, Comic Book Resources, July 16, 2005, interview at the launch of the hardcover V for Vendetta
V for Vendetta co-creator David Lloyd, by Daniel Robert Epstein, SuicideGirls, March 13, 2006
David Lloyd: A Conversation, conducted by Andy Diggle, Newsarama, 2006 interview at Newsarama about V for Vendetta and Kickback
Kicking up a Storm, July 28, 2006 interview at Down The Tubes about Kickback
Interview with David Lloyd, 2006, about Kickback
Interview in Portuguese Webzine Rua de Baixo
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