Helpful Score: 1
Fascinating telling of a girl caught up in Renaissance religious politics. She wants to paint, but being an artist isn't considered suitable for a woman. The girl is deemed too clever for her own good. Story starts at the end and winds back to her childhood to explain how society impacted her life, her family, and the consequences of the religious fervour all around her.
This is an excellent book. It was my first audio book so it took some getting used to but I found myself looking for excuses to drive and sitting in my car before and after my drive so that I could listen to more of it!
I am an avid reader of historical fiction so I am aware that it is difficult to keep the balance between historical accuracy and good storytelling. This novel hits the nail right on the head. The language is beautiful and the story is lovely. I recommend this novel to anyone interested in Italian Renaissance art, Renaissance history or historical fiction in general. It's a gem!
I am an avid reader of historical fiction so I am aware that it is difficult to keep the balance between historical accuracy and good storytelling. This novel hits the nail right on the head. The language is beautiful and the story is lovely. I recommend this novel to anyone interested in Italian Renaissance art, Renaissance history or historical fiction in general. It's a gem!
Very interesting story. I enjoyed the setting because I lived in Italy for three years. Good book.
This is the unabridged version on CD. It is approximately 14 hours.
Amazon.com
Sarah Dunant's gorgeous and mesmerizing novel, Birth of Venus, draws readers into a turbulent 15th-century Florence, a time when the lavish city, steeped in years of Medici family luxury, is suddenly besieged by plague, threat of invasion, and the righteous wrath of a fundamentalist monk. Dunant masterfully blends fact and fiction, seamlessly interweaving Florentine history with the coming-of-age story of a spirited 14-year-old girl. As Florence struggles in Savonarola's grip, a serial killer stalks the streets, the French invaders creep closer, and young Alessandra Cecchi must surrender her "childish" dreams and navigate her way into womanhood. Readers are quickly seduced by the simplicity of her unconventional passions that are more artistic than domestic:
Dancing is one of the many things I should be good at that I am not. Unlike my sister. Plautilla can move across the floor like water and sing a stave of music like a song bird, while I, who can translate both Latin and Greek faster than she or my brothers can read it, have club feet on the dance floor and a voice like a crow. Though I swear if I were to paint the scale I could do it in a flash: shining gold leaf for the top notes falling through ochres and reds into hot purple and deepest blue.
Alessandra's story, though central, is only one part of this multi-faceted and complex historical novel. Dunant paints a fascinating array of women onto her dark canvas, each representing the various fates of early Renaissance women: Alessandra's lovely (if simple) sister Plautilla is interested only in marrying rich and presiding over a household; the brave Erila, Alessandra's North African servant (and willing accomplice) has such a frank understanding of the limitations of her sex that she often escapes them; and Signora Cecchi, Alessandra's beautiful but weary mother tries to encourage yet temper the passions of her wayward daughter.
Amazon.com
Sarah Dunant's gorgeous and mesmerizing novel, Birth of Venus, draws readers into a turbulent 15th-century Florence, a time when the lavish city, steeped in years of Medici family luxury, is suddenly besieged by plague, threat of invasion, and the righteous wrath of a fundamentalist monk. Dunant masterfully blends fact and fiction, seamlessly interweaving Florentine history with the coming-of-age story of a spirited 14-year-old girl. As Florence struggles in Savonarola's grip, a serial killer stalks the streets, the French invaders creep closer, and young Alessandra Cecchi must surrender her "childish" dreams and navigate her way into womanhood. Readers are quickly seduced by the simplicity of her unconventional passions that are more artistic than domestic:
Dancing is one of the many things I should be good at that I am not. Unlike my sister. Plautilla can move across the floor like water and sing a stave of music like a song bird, while I, who can translate both Latin and Greek faster than she or my brothers can read it, have club feet on the dance floor and a voice like a crow. Though I swear if I were to paint the scale I could do it in a flash: shining gold leaf for the top notes falling through ochres and reds into hot purple and deepest blue.
Alessandra's story, though central, is only one part of this multi-faceted and complex historical novel. Dunant paints a fascinating array of women onto her dark canvas, each representing the various fates of early Renaissance women: Alessandra's lovely (if simple) sister Plautilla is interested only in marrying rich and presiding over a household; the brave Erila, Alessandra's North African servant (and willing accomplice) has such a frank understanding of the limitations of her sex that she often escapes them; and Signora Cecchi, Alessandra's beautiful but weary mother tries to encourage yet temper the passions of her wayward daughter.
