When a young bride moves to a small Wisconsin town in the 1950s, she becomes obsessed with the vacant mansion that once belonged to the town's most prominent family.
Baker uses the character's fascination with the house to tell the story of its inhabitants from 1897, when another young bride arrived on the scene, moving through the generations as they grow up and deal with two world wars, the family's changing fortunes, and the restrictive view of women prevalent in the era.
Using quotes pulled from actual women's magazines, cookbooks, and marriage-advice manuals of the era, Baker paints a quaint and almost laughable picture of the advice being peddled to 50's women; yet a careful reading has to bring up the question of whether all that much has changed. Yes, women have made advances in legal equality and wage equality (sometimes in a two steps forward, one step backward pattern), but many still look outside themselves for approval or direction. Is today's young woman, struggling to advance her career, nurture her personal relationships, and rear her children in the effortless way presented by the media really any better off than the 1950s housewife who was instructed to always and only put her husband's wishes first? Is wanting a career but being told you can't have one any more stressful than being told you must have a career when you would prefer to take the Mommy Track?
Most of Baker's female characters manage to find a balance (though that balance is not the same for all of them, nor does it arrive at the same point in each one's life). Meanwhile, most of the men in the book seem to have a bit of difficulty keeping it in their pants. There's plenty of fence-jumping, unwise hookups, and rash decisions to complicate the already-Byzantine relationships set out over half a century.
It's an interesting read for all of that, even if this reader particularly wanted to smack a couple of the male characters upside the head, and occasionally became a bit impatient at the number of love-at-first-sight romances folded into the book's 500+ pages. (Hint: Some of them turn out better than others.)
Baker uses the character's fascination with the house to tell the story of its inhabitants from 1897, when another young bride arrived on the scene, moving through the generations as they grow up and deal with two world wars, the family's changing fortunes, and the restrictive view of women prevalent in the era.
Using quotes pulled from actual women's magazines, cookbooks, and marriage-advice manuals of the era, Baker paints a quaint and almost laughable picture of the advice being peddled to 50's women; yet a careful reading has to bring up the question of whether all that much has changed. Yes, women have made advances in legal equality and wage equality (sometimes in a two steps forward, one step backward pattern), but many still look outside themselves for approval or direction. Is today's young woman, struggling to advance her career, nurture her personal relationships, and rear her children in the effortless way presented by the media really any better off than the 1950s housewife who was instructed to always and only put her husband's wishes first? Is wanting a career but being told you can't have one any more stressful than being told you must have a career when you would prefer to take the Mommy Track?
Most of Baker's female characters manage to find a balance (though that balance is not the same for all of them, nor does it arrive at the same point in each one's life). Meanwhile, most of the men in the book seem to have a bit of difficulty keeping it in their pants. There's plenty of fence-jumping, unwise hookups, and rash decisions to complicate the already-Byzantine relationships set out over half a century.
It's an interesting read for all of that, even if this reader particularly wanted to smack a couple of the male characters upside the head, and occasionally became a bit impatient at the number of love-at-first-sight romances folded into the book's 500+ pages. (Hint: Some of them turn out better than others.)
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