The year is 1943 and life is good for Jewel Hilburn, her husband, Leston, and their five children. Although there's a war on, the Mississippi economy is booming, providing plenty of business for the hardworking family. And even the news that eldest son James has enlisted is mitigated by the fact that Jewel, now pushing 40, is pregnant with one last child. Her joy is slightly clouded, however, when her childhood friend Cathedral arrives at the door with a troubling prophecy: "I say unto you that the baby you be carrying be yo' hardship, be yo' test in this world. This be my prophesying unto you, Miss Jewel."
When the child is finally born, it seems that Cathedral's prediction was empty: the baby appears normal in every way. As the months go by, however, Jewel becomes increasingly afraid that something is wrong with little Brenda Kay--she doesn't cry, she doesn't roll over, she's hardly ever awake. Eventually husband and wife take the baby to the doctor and are informed that she is a "Mongolian Idiot," not expected to live past the age of 2. Jewel angrily rebuffs the doctor's suggestion that they institutionalize Brenda Kay. Instead the Hilburns shoulder the burdens--and discover the unexpected joys--of living with a Down's syndrome child.
Bret Lott has written a novel that spans decades, follows the lives of several characters, and cuts back and forth between Mississippi and California. Given these challenges, a lesser writer might lose focus. Lott, however, has wisely chosen to keep his eye trained on Jewel--a narrator who is smart, perceptive, and above all, honest. He has also bucked the trend toward political correctness by allowing his characters to think, feel, and talk the way white Mississippians of that era would have. ("Mongolian Idiot," "nigger," "cracker," and "buck" are just a few of the epithets sprinkled throughout the text.) The language may be discomforting to some readers. Few will deny, however, that Bret Lott has crafted a clan that is all heart in this bittersweet paean to the enduring strength of familial love. --Margaret Prior
When the child is finally born, it seems that Cathedral's prediction was empty: the baby appears normal in every way. As the months go by, however, Jewel becomes increasingly afraid that something is wrong with little Brenda Kay--she doesn't cry, she doesn't roll over, she's hardly ever awake. Eventually husband and wife take the baby to the doctor and are informed that she is a "Mongolian Idiot," not expected to live past the age of 2. Jewel angrily rebuffs the doctor's suggestion that they institutionalize Brenda Kay. Instead the Hilburns shoulder the burdens--and discover the unexpected joys--of living with a Down's syndrome child.
Bret Lott has written a novel that spans decades, follows the lives of several characters, and cuts back and forth between Mississippi and California. Given these challenges, a lesser writer might lose focus. Lott, however, has wisely chosen to keep his eye trained on Jewel--a narrator who is smart, perceptive, and above all, honest. He has also bucked the trend toward political correctness by allowing his characters to think, feel, and talk the way white Mississippians of that era would have. ("Mongolian Idiot," "nigger," "cracker," and "buck" are just a few of the epithets sprinkled throughout the text.) The language may be discomforting to some readers. Few will deny, however, that Bret Lott has crafted a clan that is all heart in this bittersweet paean to the enduring strength of familial love. --Margaret Prior
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