The Heron's Cry, the second book in the Two Rivers series, shines a spotlight on what Ann Cleeves does best: describe a landscape so well that we readers can place ourselves in it, create multi-faceted characters that feel like people we all know, and wrap it all up in a mystery that keeps us armchair sleuths guessing.
The mystery is centered on a group of craft workshops on the grounds of a big house called Westacombe which is owned by Frank Ley, a millionaire who likes to use his money to regenerate ailing villages and small businesses. Dr. Yeo, whose body was found in his daughter's workshop, was investigating allegations that the NHS was failing in its duty of care-- especially in regards to those suffering some form of mental illness. Cleeves shows us this heartbreaking situation through her characters. When budgets are cut, what can the NHS do? Should they continue to focus on those who are ill yet have family members who can support them? Or should they focus instead on those who have no support group at all? The money will only go so far.
The mystery keeps readers moving between the people in the Westacombe craft shops, Frank Ley, and the Woodyard, a collection of shops, a restaurant, and an adult care center overseen by Matthew Venn's husband, Jonathan. This keeps us armchair sleuths hopping, but it also made me want to go there and spend money in all those places. Cleeves has to be doing more than her fair share to promote a UK tourism boom.
As good as the mystery is and as palpable as the setting is, The Heron's Cry wouldn't be a winner without its cast. Matthew Venn is not your typical detective inspector. He listens a lot more than he talks, having found that silence is both ally and weapon. He also likes to show up early to get the room ready for a meeting and to get the coffee machine ready. With his dark suits, grey hair, and quiet demeanor, he reminds his husband Jonathan of a heron. Jonathan himself is very much a people person, and one of the delights of this series is watching how the relationship between the two men matures. I haven't even mentioned Jen and Ross, the prime movers on Venn's team. They're like chalk and cheese, and I like watching how each of them approaches an investigation.
Any Ann Cleeves fan is going to need very little (if any) prodding to read these Two Rivers mysteries. The author has already shown what she can do with her Shetland and Vera series. Matthew Venn is proving to be every bit as interesting as Jimmy Perez and Vera Stanhope, and I'm really looking forward to seeing what he does next. As for those of you who have yet to read a mystery written by Ann Cleeves, all I can say is that if you love atmospheric, character-driven mysteries, you have a feast ready and waiting for you. Dive right in.
(Review copy courtesy of the publisher and Net Galley)
The mystery is centered on a group of craft workshops on the grounds of a big house called Westacombe which is owned by Frank Ley, a millionaire who likes to use his money to regenerate ailing villages and small businesses. Dr. Yeo, whose body was found in his daughter's workshop, was investigating allegations that the NHS was failing in its duty of care-- especially in regards to those suffering some form of mental illness. Cleeves shows us this heartbreaking situation through her characters. When budgets are cut, what can the NHS do? Should they continue to focus on those who are ill yet have family members who can support them? Or should they focus instead on those who have no support group at all? The money will only go so far.
The mystery keeps readers moving between the people in the Westacombe craft shops, Frank Ley, and the Woodyard, a collection of shops, a restaurant, and an adult care center overseen by Matthew Venn's husband, Jonathan. This keeps us armchair sleuths hopping, but it also made me want to go there and spend money in all those places. Cleeves has to be doing more than her fair share to promote a UK tourism boom.
As good as the mystery is and as palpable as the setting is, The Heron's Cry wouldn't be a winner without its cast. Matthew Venn is not your typical detective inspector. He listens a lot more than he talks, having found that silence is both ally and weapon. He also likes to show up early to get the room ready for a meeting and to get the coffee machine ready. With his dark suits, grey hair, and quiet demeanor, he reminds his husband Jonathan of a heron. Jonathan himself is very much a people person, and one of the delights of this series is watching how the relationship between the two men matures. I haven't even mentioned Jen and Ross, the prime movers on Venn's team. They're like chalk and cheese, and I like watching how each of them approaches an investigation.
Any Ann Cleeves fan is going to need very little (if any) prodding to read these Two Rivers mysteries. The author has already shown what she can do with her Shetland and Vera series. Matthew Venn is proving to be every bit as interesting as Jimmy Perez and Vera Stanhope, and I'm really looking forward to seeing what he does next. As for those of you who have yet to read a mystery written by Ann Cleeves, all I can say is that if you love atmospheric, character-driven mysteries, you have a feast ready and waiting for you. Dive right in.
(Review copy courtesy of the publisher and Net Galley)
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