Cathy C. (cathyskye) - , reviewed on 11/16/2018 + 2307 more book reviews

I loved Connelly's first Renée Ballard novel, The Late Show, and had no doubt that she and Harry Bosch would get along well after a bit of introductory posturing (mostly on Renée's part). After all, Ballard is a younger, female version of Bosch. All she needs is his experience, and if the two of them work together very much, she's going to get it.

It's fun watching these two get to know each other. Bosch takes one look at Ballard's deep tan and knows she's not the typical detective who works the late show. He even makes Ballard laugh-- and it's so unusual for her to do that that it startled me. When Ballard is around Harry, she pays attention and soaks up how he does things like a sponge. Once again, as I read Dark Sacred Night, I loved watching how Renée sees things, how she interacts with people. There's no such thing as a throwaway human being to Renée or to Harry, so I predict some interesting cases ahead for the two of them to work.

Connelly's pacing is swift and sure. He knows how to deliver fascinating cases and action sequences that have readers biting their fingernails. Moreover, Connelly doesn't believe in throwaway characters either. Readers never see a police officer named Tim Farmer during the course of Dark Sacred Night even though he plays an important role. We only get to read his descriptions of people on his field interview cards, but outside of Ballard and Bosch, Farmer is the most memorable character in the book to me.

There's little else for me to say other than I hope it's not long before these two detectives are working together again. Renée, send up that signal!

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