Christine M. reviewed on + 46 more book reviews
Sometimes collections like this can be hard to judge. Most of the time the author will have ups and downs, with one story that may appeal to one audience and another which appeals to a different one. Different Seasons, however, manages to provide a good body of work that should appeal to just about everybody.
To be clear on the content of the book, this is actually two novellas and two short stories--both Rita Hayworth and the Shawshank Redemption and The Breathing Method are both on par with such classics as "Bartleby the Scrivener." The format of the book is perhaps a little hokey--the stories follow the seasonal theme--but ultimately that artistic touch is irrelevant to the real appreciation of the book, at worst, and endearing, at best.
The stories themselves are excellent, a fact attested to by the production of three major films based on the first three of these pieces. The first presented is Rita Hayworth and the Shawshank Redemption, and of them all, it's probably the best on the whole. The characters in the story are well written and, all things considered, it's really just a fine story with a positive message that you might not be used to seeing in Stephen King's writing. Second is Apt Pupil, which is more reminiscent of King's usual subject matter and tone, but still manages to provide an engrossing and interesting view into the nature of evil and the parasitic relationship that a man can develop with it. The Body is probably the most endearing of all the stories in the book, even if it is the roughest in terms of production. With a reflective, old-man-on-the-porch-in-the-sunshine voice, King is able to relate this tale of the loss of innocence and the passage into adulthood. The final tale is actually reminiscent of other, older authors than King. The Breathing Method uses several old tricks of such superluminaries as Melville and Hawthorne in its presentation, and manages to wrap an entertaining story around an allegorical examination of the writing process.
Taken as a whole, this collection is truly one of the most excellent efforts that King has ever put forth. While he still does tend to bloat a little (a complaint many have about his novels) in the middle two stories, all of them manage to create an atmosphere wholly their own and to take the mind of a reader away to another place, which, as King says in the afterword, is his first and highest goal. While little new ground is broken in the themes King analyzes, the themes themselves all still bear examination. His storytelling is at its height here, and this is a book that all readers should pick up at one point or another. It may not be horror, but that, in this case, cannot be said to be a failing, as King showcases his cross-genre talent. A truly fantastic book.
To be clear on the content of the book, this is actually two novellas and two short stories--both Rita Hayworth and the Shawshank Redemption and The Breathing Method are both on par with such classics as "Bartleby the Scrivener." The format of the book is perhaps a little hokey--the stories follow the seasonal theme--but ultimately that artistic touch is irrelevant to the real appreciation of the book, at worst, and endearing, at best.
The stories themselves are excellent, a fact attested to by the production of three major films based on the first three of these pieces. The first presented is Rita Hayworth and the Shawshank Redemption, and of them all, it's probably the best on the whole. The characters in the story are well written and, all things considered, it's really just a fine story with a positive message that you might not be used to seeing in Stephen King's writing. Second is Apt Pupil, which is more reminiscent of King's usual subject matter and tone, but still manages to provide an engrossing and interesting view into the nature of evil and the parasitic relationship that a man can develop with it. The Body is probably the most endearing of all the stories in the book, even if it is the roughest in terms of production. With a reflective, old-man-on-the-porch-in-the-sunshine voice, King is able to relate this tale of the loss of innocence and the passage into adulthood. The final tale is actually reminiscent of other, older authors than King. The Breathing Method uses several old tricks of such superluminaries as Melville and Hawthorne in its presentation, and manages to wrap an entertaining story around an allegorical examination of the writing process.
Taken as a whole, this collection is truly one of the most excellent efforts that King has ever put forth. While he still does tend to bloat a little (a complaint many have about his novels) in the middle two stories, all of them manage to create an atmosphere wholly their own and to take the mind of a reader away to another place, which, as King says in the afterword, is his first and highest goal. While little new ground is broken in the themes King analyzes, the themes themselves all still bear examination. His storytelling is at its height here, and this is a book that all readers should pick up at one point or another. It may not be horror, but that, in this case, cannot be said to be a failing, as King showcases his cross-genre talent. A truly fantastic book.
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