Skip to main content
PBS logo
 
 

Book Review of What My Mother Doesn't Know

What My Mother Doesn't Know
reviewed on + 255 more book reviews


A very fast read, and I was surprised by how much plot one can get across in poetry, but I was distracted by the ugly font in which the text is set, Tekton. I guess it's supposed to make the poems look handwritten, but then they used italics for emphasis instead of underlining. And e-mails and instant messages are set in even uglier ornamental fonts, instead of monotype.
But that's just me.

From Publishers Weekly
*Starred Review*
Ages 12-up
Drawing on the recognizable cadences of teenage speech, Sones (Stop Pretending) poignantly captures the tingle and heartache of being young and boy-crazy. The author keenly portrays ninth-grader Sophie's trajectory of lusty crushes and disillusionment whether she is gazing at Dylan's "smoldery dark eyes" or dancing with a mystery man to music that "is slow/ and/ saxophony." Best friends Rachel and Grace provide anchoring friendships for Sophie as she navigates her home life as an only child with a distant father and a soap opera-devotee mother whose "shrieking whips around inside me/ like a tornado." Some images of adolescent changes carry a more contemporary cachet, "I got my period I prefer/ to think of it as/ rebooting my ovarian operating system," others are consciously cliched, "my molehills/ have turned into mountains/ overnight" this just makes Sophie seem that much more familiar. With its separate free verse poems woven into a fluid and coherent narrative with a satisfying ending, Sophie's honest and earthy story feels destined to captivate a young female audience, avid and reluctant readers alike.

From School Library Journal
Gr 6-8
A story written in poetry form. Sophie is happily dating Dylan, "until he's practically glued himself to my side." Then she falls for cyberboy ("if I could marry a font/I'd marry his"). Imagine her surprise when he becomes downright scary. In the satisfying ending, Sophie finds the perfect boyfriend-someone she's known all along. Sones is a bright, perceptive writer who digs deeply into her protagonist's soul. There she reveals the telltale signs of being "boy crazy"; the exciting edginess of cyber romances; the familiar, timeless struggle between teens and parents; and the anguish young people feel when their parents fight. But life goes on, and relationships subtly change. Sones's poems are glimpses through a peephole many teens may be peering through for the first time, unaware that others are seeing virtually the same new, scary, unfamiliar things (parents having nuclear meltdowns, meeting a boyfriend's parents, crying for no apparent reason). In What My Mother Doesn't Know, a lot is revealed about the teenage experience-("could I really be falling for that geek I dissed a month ago?"), clashes with close friends, and self-doubts. It could, after all, be readers' lives, their English classes, their hands in a first love's. Of course, mothers probably do know these goings-on in their daughters' lives. It's just much easier to believe they don't. Sones's book makes these often-difficult years a little more livable by making them real, normal, and OK.

From Booklist
*Starred Review*
Gr. 6-10
In a fast, funny, touching book, Sones uses the same simple, first-person poetic narrative she used in Stop Pretending: What Happened When My Big Sister Went Crazy (1999), but this story isn't about family anguish; it's about the joy and surprise of falling in love. Sophie, 14, thinks she has a crush on handsome Dylan, but she discovers that her most passionate feelings are for someone totally unexpected, a boy who makes her laugh and shows her how to look at the world. And when they kiss, every cell in her body is on fire. Meanwhile, she fights with her mom--who fights with Sophie's dad--and she refuses to wear a pink flowered dress to the school dance, secretly changing into a slinky black outfit with the help of her girlfriends. Their girl talk is hilarious and irreverent in the style of Naylor's Alice books. The poetry is never pretentious or difficult; on the contrary, the very short, sometimes rhythmic lines make each page fly. Sophie's voice is colloquial and intimate, and the discoveries she makes are beyond formula, even while they are as sweetly romantic as popular song. A natural for reluctant readers, this will also attract young people who love to read.