

Michael Marshall addresses his favorite theme -- Ordinary Joe has the scales ripped from his eyes, and confronts the Powers of Darkness, which have been hiding in plain sight for years/decades/millennia -- again. Whether you like this depends on how much you like Michael Marshall (Smith).
I like Michael Marshall's writing a lot. Marshall's own "very particular set of skills" reminds me of Stephen King, at his best: the ability to create characters, even walk-ons and red-shirts, who feel like real people, who have backstories, dreams and desires, and who woke up that morning not planning to be crushed under the wheels of a fiendish supernatural conspiracy. Ditto, creating dialogue for said characters, major and minor, that sounds like the way real people speak -- even when, in the interests of the plot, they are having to recite info-dumps, or the biggest load of codswallop you have ever heard.
Marshall also has a nice sense of humor -- some of the info-dumps and codswallop is leavened by side-long verbal glances that say, to me, "yeah, I know. But we're all in this together. Have fun!"
So, I enjoyed this, and it was a great page-turner, and I can't promise you that I won't pick up another novel my Marshall, or his alter-egos Michael Marshall Smith or Michael Rutger, as soon as decency allows. However, I do feel that I'm beginning to feel diminishing returns from the "Ordinary Joe has scales ripped from eyes, and confronts the Powers of Darkness ..." playbook.
I like Michael Marshall's writing a lot. Marshall's own "very particular set of skills" reminds me of Stephen King, at his best: the ability to create characters, even walk-ons and red-shirts, who feel like real people, who have backstories, dreams and desires, and who woke up that morning not planning to be crushed under the wheels of a fiendish supernatural conspiracy. Ditto, creating dialogue for said characters, major and minor, that sounds like the way real people speak -- even when, in the interests of the plot, they are having to recite info-dumps, or the biggest load of codswallop you have ever heard.
Marshall also has a nice sense of humor -- some of the info-dumps and codswallop is leavened by side-long verbal glances that say, to me, "yeah, I know. But we're all in this together. Have fun!"
So, I enjoyed this, and it was a great page-turner, and I can't promise you that I won't pick up another novel my Marshall, or his alter-egos Michael Marshall Smith or Michael Rutger, as soon as decency allows. However, I do feel that I'm beginning to feel diminishing returns from the "Ordinary Joe has scales ripped from eyes, and confronts the Powers of Darkness ..." playbook.
Back to all reviews by this member
Back to all reviews of this book
Back to Book Reviews
Back to Book Details
Back to all reviews of this book
Back to Book Reviews
Back to Book Details