From Publishers Weekly
An expansion of Johnson's acclaimed story "Fox Magic," this moving novel is based on a ninth-century Japanese fairy tale. Depressed by his failures in the emperor's court, Kaya no Yoshifuji brings his wife, Shikujo, and his eight-year-old son back to his remote country estate. There Kitsune, a young fox-woman, sees him and falls in love with him. Through the diaries of the three main characters, we see that as Yoshifuji's sadness drives him away from his wife, he finds himself strangely obsessed with the family of foxes in his garden. This obsession terrifies Shikujo, who has disturbing memories of a fox-man who once appeared in her dreams. Later, when Shikujo returns to the capital to try to salvage her son's career in the imperial court, Kitsune and her family use fox-magic to create an idyllic imitation of the human world, into which they lure Yoshifuji. He believes the illusion and marries Kitsune. But in this fairy tale, marriage does not end happily ever after. Kitsune fears that Yoshifuji will someday see that his beautiful human wife is in fact a fox, their house a hole in the ground and their dainty food mice and insects. It is clear that the precarious illusion will soon unravel. A meditation on poetry, ritual and humanity, Johnson's fairy tale is a literate, magical and occasionally grotesque love story. Yoshifuji and Shikujo often communicate with each other through poetry; beautiful haikus and wakas provide intense glimpses into their characters. Steeped in historical detail, Johnson's prose is uncommonly musical; it captures the atmosphere of Japan's old courts while avoiding ostentation. This is only Johnson's first novel, but it establishes her as one of SF's most remarkable stylists. (Jan.)
Copyright 1999 Reed Business Information, Inc.
An expansion of Johnson's acclaimed story "Fox Magic," this moving novel is based on a ninth-century Japanese fairy tale. Depressed by his failures in the emperor's court, Kaya no Yoshifuji brings his wife, Shikujo, and his eight-year-old son back to his remote country estate. There Kitsune, a young fox-woman, sees him and falls in love with him. Through the diaries of the three main characters, we see that as Yoshifuji's sadness drives him away from his wife, he finds himself strangely obsessed with the family of foxes in his garden. This obsession terrifies Shikujo, who has disturbing memories of a fox-man who once appeared in her dreams. Later, when Shikujo returns to the capital to try to salvage her son's career in the imperial court, Kitsune and her family use fox-magic to create an idyllic imitation of the human world, into which they lure Yoshifuji. He believes the illusion and marries Kitsune. But in this fairy tale, marriage does not end happily ever after. Kitsune fears that Yoshifuji will someday see that his beautiful human wife is in fact a fox, their house a hole in the ground and their dainty food mice and insects. It is clear that the precarious illusion will soon unravel. A meditation on poetry, ritual and humanity, Johnson's fairy tale is a literate, magical and occasionally grotesque love story. Yoshifuji and Shikujo often communicate with each other through poetry; beautiful haikus and wakas provide intense glimpses into their characters. Steeped in historical detail, Johnson's prose is uncommonly musical; it captures the atmosphere of Japan's old courts while avoiding ostentation. This is only Johnson's first novel, but it establishes her as one of SF's most remarkable stylists. (Jan.)
Copyright 1999 Reed Business Information, Inc.
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