It's been a while since I've read a straight-up science-fiction YA novel, and yet SINGING THE DOGSTAR BLUES proves to be one of the best of its genre. With a great protagonist and a fully realized world, this small book will suck you in so fast you won't even realize when you've lost your heart to it.
Joss is, without a doubt, my kind of girl. A bit jaded, a bit too smart for her own good, she is thoroughly entertaining to read about. Her tongue-in-cheek observations and flagrant disregard for Centre rules make her the opposite of the passive protagonist I typically dread in YA lit, and yet she's not so rebellious as to be unrelatable. She is, in a sense, the kind of "bad girl" most readers have secretly imagined themselves being.
Science fiction is difficult to write because it involves creating a thorough world and to consider the implications of adding any detail to the story. Luckily, Alison Goodman's world in SINGING THE DOGSTAR BLUES is remarkably believable and "real": I could very nearly see all that Joss sees through the sharp and precise writing.
The one complaint I had about this book was the predictability of the ending. I figured out how things were going to unfold several chapters before Joss did. This is a recurring weakness in Goodman's novels (her YA fantasy Eon: Dragoneye Reborn had the same thing happen), and yet doesn't majorly detract from my utter delight in reading this book. Overall, I can solidly recommend SINGING THE DOGSTAR BLUES as one of the YA science fiction novels ever written. Don't miss out on this one!
Joss is, without a doubt, my kind of girl. A bit jaded, a bit too smart for her own good, she is thoroughly entertaining to read about. Her tongue-in-cheek observations and flagrant disregard for Centre rules make her the opposite of the passive protagonist I typically dread in YA lit, and yet she's not so rebellious as to be unrelatable. She is, in a sense, the kind of "bad girl" most readers have secretly imagined themselves being.
Science fiction is difficult to write because it involves creating a thorough world and to consider the implications of adding any detail to the story. Luckily, Alison Goodman's world in SINGING THE DOGSTAR BLUES is remarkably believable and "real": I could very nearly see all that Joss sees through the sharp and precise writing.
The one complaint I had about this book was the predictability of the ending. I figured out how things were going to unfold several chapters before Joss did. This is a recurring weakness in Goodman's novels (her YA fantasy Eon: Dragoneye Reborn had the same thing happen), and yet doesn't majorly detract from my utter delight in reading this book. Overall, I can solidly recommend SINGING THE DOGSTAR BLUES as one of the YA science fiction novels ever written. Don't miss out on this one!
