Xi Xi's native county is Zhongshan, Guangdong. She was born in Shanghai, where she attended primary school, in 1938. In 1950, she immigrated to Hong Kong with her parents. Her father worked at Kowloon Motor Bus as a ticket checker. Besides, he had been a Division A soccer team trainer and, later, a referee since he was in Shanghai, thus Xi Xi had developed an immense interest in soccer when she was young. Xi Xi has two brothers and two sisters.

Afterward Xi Xi attended her secondary school classes at Heep Yunn School, where she had lessons instructed in Cantonese; she started her English-instructed lessons from Form 4. In the early life in Hong Kong, Xi Xi was living in poverty, and she had to worry about her expenses on textbook and school uniform, and fees on Home Economics lessons to boot at all times. As a junior secondary student, she had begun to write to the local newspapers and magazines.

Her maiden piece, a fourteen-line modern Chinese poem, was published in “Everyone’s Literature” (??????) in the 1950s. When Xi Xi was studying in Form 3, she won the first price in the senior section of a writing competition organised by “Learn-mates” (????) which the chief editor was Wun Pik-lam (???). In 1957, she continued her studies at the Grantham College of Education (later merged with others constitute colleges to form the Hong Kong Institute of Education), and became a teacher of a local governmental primary school after graduation. During her career as a teacher, she was an active member in the campaigns fighting for teachers’ rights. Besides poetry, novel, essay, fairy tale and translated literature, Xi Xi had an attempt in writing TV screenplay in the 1960s, like “The Dark Green Age” (??????) and “The Window” (???), and numerous movie critics as well, in a refreshing yet vivid style. She was one of the pioneers in the field of experimental films in Hong Kong.

Later, Xi Xi had been concentrated on the production of novels, likewise columns in various newspapers and magazines:

• 1960s: A fairy-tale column in “Tin Tin Daily” (????), “Movies and Me” ??????in “Chinese Students’ Weekly” (??????), and “Bull’s Eye and Me”??????in “Express Daily” (??);
• 1970s: “My Scrawling Room” (scrapbook) (??????????) in “Express Daily”;
• 1980s: “Notes on Reading” (??????) in “Express Daily”, “The Flower Column” in “Sing Dao Daily”, “Four Pieces of Jade” (?????) in “United Daily News”, “Siu Ming Chow” (?????), a children’s column about paintings, in “Ming Pao Monthly”, “Ear-man” (?????), a musical column, in “Sing Dao Daily”, and “How Xi Xi Views Soccer” (???????), a featured column for the World Cup, in “Ming Pao”.

Moreover, she had been the editor of “Chinese Students’ Weekly” poetry section (1960s), as well as of “Thumb Weekly” (???????) (1975-1977) and “Plain Leaf Literature” (??????) (1981-1984), which were founded by Xi Xi and her friends in 1978. Plain Leaf was a non-profitmaking publisher, with its solemn, high-standard, and non-commercialised local publication, which was actually rare in the book market of Hong Kong. Up to 1984, The publishing company had produced books of 22 categories, including “A Loafer Who Burnt His Guitar” (???????), a collection of Ma Lang’s (??) poems; “A Tour in Mirrors” (????), a Chinese movie critics collection by Lin Nian-tong (???); and “My Resplendence” (??????), a Zhong Lin-lin’s (???) essay and poem collection. Along with different series of readers, Plain Leaf had also published a magazine called “Plain Leaf Literature” for 25 volumes. The publishing company closed down at length due to its excess deficit, yet it was re-opened in the 1990s and Plain Leaf is still operating business these days.

In 1979, the number of teachers was over-supplied, and the Education Department promoted an early retirement scheme. Xi Xi tendered her resignation, and subsequently paid more heed to studies and creative writing. However, Hong Kong had fluctuated drastically in social aspects in the 1980s, and the demand for teacher had been skyrocketing. Xi Xi was occasionally invited by her ex-colleagues and worked as a contracted teacher for a year, or even a substitute teacher. In fact, she did not desist her teaching career entirely.

"Shops" is an essay written by Xi Xi, which has been adopted as reading materials for the Chinese language paper of the HKCEE. This passage illustrates the ageing buildings, squatters, and old-fashioned traditional shops in Central and Western District, particularly in Sheung Wan and Sai Ying Pun, as well as other human behaviour in this hustling district. She expressed her tinge of nostalgia of her childhood, and of the disappearing old shops due to drastic infrastructural development.

Xi Xi enjoyed travelling, and she had been to Eastern Europe, Turkey, Egypt, Greece, and, most frequently, mainland China. These places had given much inspiration to her writing. In 1983, “United Daily News” re-published Xi Xi’s “A Lady Like Me" (???????????) from “Plain Leaf Literature”, and it was the first time her works were known to Taiwan people. And that passage won Xi Xi the Recommended Novella Prize, the highest prize in the United Daily News 8th Novel Prize.

• Chinese Writers on Writing featuring Xi Xi. Ed. Arthur Sze. (Trinity University Press, 2010).

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