The Words I Never Wrote by Jane Thynne is a sweeping historical novel. I found this book to be well-written with developed characters. The story takes us from 1936 through 2016 moving from England, New York, Paris and Berlin. Juno Lambert purchases a 1931 Underwood Portable typewriter for a photoshoot. It once belonged to the famed journalist Cordelia Capel and there is a partial manuscript inside the case. After reading the document, Juno wants to uncover the rest of the story. Cordelia's sister, Irene married a German lawyer and moved to Berlin. Her husband is a Nazi sympathizer and they moved in exalted circles. There are endless parties and social functions for Irene to attend. At first, she believes everything is normal in Berlin. Slowly Irene begins to see what is really happening in Berlin, but she needs to be careful. Irene is watched because she is English and her letters to Cordelia are monitored. Cordelia becomes a journalist. Something happens between the two sisters that has them become estranged. The author captured the time period with her descriptions of the clothing, the atmosphere in Paris and Berlin, the attitudes of the people, the political climate and so much more. Real historical figures are included like Hitler, Joseph Goebbels, Martha Dodd, and Kim Philby. I did feel that some descriptions were too detailed and there were a few scenes that were drawn out which slowed down the pacing. The middle is a little sluggish, but then I reached the climax which had me quickly turning the pages to see how the story would turn out. It was interesting to learn what it was like in Germany leading up to World War II. I liked that each sister had a distinctive voice and point-of-view (as did Juno). I am glad that I decided to read this book and regret not fitting it into my schedule sooner. My favorite phrase is â. . . words could change the world.â The Words I Never Wrote is a complex and moving novel with a unique Underwood typewriter, a celebrated correspondent, a socialist socialite, lighthearted letters, an incomplete manuscript and a wicked war.
Jane Thynne's The Words I Never Wrote employs a dual timeline that often can work beautifully, but in the case of Juno and the Capel sisters, it doesn't work quite as well.
For me, Juno is the weakest link. Her up-and-coming film star boyfriend's desertion to Hollywood has made her indecisive, and more than compulsion, her decision to go to Germany to uncover the Capel sisters' story seems to be simple avoidance. And speaking of that boyfriend of hers, every move he makes, every word he speaks is utterly predictable. It would have been better if he wasn't in the book at all, leaving Juno to follow her passion more naturally. (Or this timeline could have been left out entirely, leaving more time for the intriguing Capel sisters.)
The story of Cordelia and her sister Irene is very strong. Cordelia's career in journalism begins in 1936 Paris with fashion columns in the newspaper. But she's very politically motivated, so she doesn't describe fabrics and hemlines for long. Cordelia's older sister Irene takes a much more glamorous route. Irene marries a German industrialist and finds herself in a lakeside mansion in Berlin. The sisters are close and exchange letters, but when Cordelia learns that Irene's husband is a Nazi sympathizer, she insists that Irene takes a stand against Nazism and leave Berlin. Irene chooses to stay, and Cordelia breaks off communication.
Thynne paints a vivid portrait of Nazi Berlin before, during, and after the war that I found fascinating. How the two sisters spent the war years also kept me turning the pages, as I wondered how long it would take the younger, idealistic Cordelia to learn that there is more than one way to take a stand for what you believe in. The only other thing in The Words I Never Wrote that bothered me-- besides Juno the present-day narrator-- was the feeling that, no matter how much I learned about Cordelia and Irene, I still wasn't being let in. These two characters were still standing back and not sharing their lives fully-- and I wanted them to. I wanted to tell them that the Gestapo wasn't sitting in the room with me. I wanted to feel as though I were sharing their lives, and I wasn't being allowed to. It's this aloofness and Juno that make me like Thynne's story... but with serious reservations. Your mileage could certainly vary.
For me, Juno is the weakest link. Her up-and-coming film star boyfriend's desertion to Hollywood has made her indecisive, and more than compulsion, her decision to go to Germany to uncover the Capel sisters' story seems to be simple avoidance. And speaking of that boyfriend of hers, every move he makes, every word he speaks is utterly predictable. It would have been better if he wasn't in the book at all, leaving Juno to follow her passion more naturally. (Or this timeline could have been left out entirely, leaving more time for the intriguing Capel sisters.)
The story of Cordelia and her sister Irene is very strong. Cordelia's career in journalism begins in 1936 Paris with fashion columns in the newspaper. But she's very politically motivated, so she doesn't describe fabrics and hemlines for long. Cordelia's older sister Irene takes a much more glamorous route. Irene marries a German industrialist and finds herself in a lakeside mansion in Berlin. The sisters are close and exchange letters, but when Cordelia learns that Irene's husband is a Nazi sympathizer, she insists that Irene takes a stand against Nazism and leave Berlin. Irene chooses to stay, and Cordelia breaks off communication.
Thynne paints a vivid portrait of Nazi Berlin before, during, and after the war that I found fascinating. How the two sisters spent the war years also kept me turning the pages, as I wondered how long it would take the younger, idealistic Cordelia to learn that there is more than one way to take a stand for what you believe in. The only other thing in The Words I Never Wrote that bothered me-- besides Juno the present-day narrator-- was the feeling that, no matter how much I learned about Cordelia and Irene, I still wasn't being let in. These two characters were still standing back and not sharing their lives fully-- and I wanted them to. I wanted to tell them that the Gestapo wasn't sitting in the room with me. I wanted to feel as though I were sharing their lives, and I wasn't being allowed to. It's this aloofness and Juno that make me like Thynne's story... but with serious reservations. Your mileage could certainly vary.
