Cathy C. (cathyskye) -
At first, I was hesitant to pick up The Word Is Murder, for fear that "author-as-character" was simply a gimmick. I can now attest that, even if it is a gimmick, it works brilliantly. I loved this book!
As the Watson in this partnership, Horowitz deftly blends fact and fiction in letting us glimpse into his life and the worlds of publishing, acting, screenwriting, and television. Horowitz is much more accessible than Hawthorne, who's so uncommunicative that he puts his ghostwriter directly into the path of danger. (Perhaps he didn't expect Horowitz to become so involved in the investigation.)
Like Sherlock Holmes, Hawthorne can be extremely annoying; in fact, I think he has Holmes beat. My jaw dropped when Hawthorne broke into Horowitz's important meeting, and it was around this time that his behavior reminded me of stepping in something. No matter how much you twist and drag your foot, that something refuses to dislodge itself. That's Hawthorne when he wants something. (When Horowitz needs something, it's a completely different story.)
But when you put two wonderful characters together and then add a plot that resembles Russian nesting dolls on a massive dose of steroids, magic happens. I figured parts of the mystery out but came nowhere close to knowing the whole thing. Small details of appearance, of speech, of family history, of job history-- and more-- play their parts in the mystery. One small event can have implications for all those that follow, and there are always consequences. It's just a marvelous piece of storytelling.
I read that The Word Is Murder is the first in a series, and I couldn't be happier. I can't wait to see what Horowitz has up his sleeve next!
As the Watson in this partnership, Horowitz deftly blends fact and fiction in letting us glimpse into his life and the worlds of publishing, acting, screenwriting, and television. Horowitz is much more accessible than Hawthorne, who's so uncommunicative that he puts his ghostwriter directly into the path of danger. (Perhaps he didn't expect Horowitz to become so involved in the investigation.)
Like Sherlock Holmes, Hawthorne can be extremely annoying; in fact, I think he has Holmes beat. My jaw dropped when Hawthorne broke into Horowitz's important meeting, and it was around this time that his behavior reminded me of stepping in something. No matter how much you twist and drag your foot, that something refuses to dislodge itself. That's Hawthorne when he wants something. (When Horowitz needs something, it's a completely different story.)
But when you put two wonderful characters together and then add a plot that resembles Russian nesting dolls on a massive dose of steroids, magic happens. I figured parts of the mystery out but came nowhere close to knowing the whole thing. Small details of appearance, of speech, of family history, of job history-- and more-- play their parts in the mystery. One small event can have implications for all those that follow, and there are always consequences. It's just a marvelous piece of storytelling.
I read that The Word Is Murder is the first in a series, and I couldn't be happier. I can't wait to see what Horowitz has up his sleeve next!
SUSAN S. (susieqmillsacoustics) -
Good mystery with the unique premise of the author taking on the project of following our protagonist detective on a strange case as he investigates a murder to write a book about him. Hawthorne definitely has potential as an interesting character.
Maura (maura853) -
Engaging enough, but creaks a bit, as Horowitz tries too hard to be "clever-clever" (where, I felt, he succeeded effortlessly with the meta-narrative in his previous adult mystery, Magpie Murders), and establish his Daniel Hawthorne "brand" for the inevitable sequels. For me, Hawthorne seemed like a too-neatly wrapped parcel of quirks, rather than a real character. And don't get me started about the device of making the character of one "Anthony Horowitz".....
