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Sound of the Beast : The Complete Headbanging History of Heavy Metal
Sound of the Beast The Complete Headbanging History of Heavy Metal
Author: Ian Christe
In this first-ever atlas of the heavy metal phenomenon, Ian Christe delivers a bird's-eye view of this dark and forbidden music. The ultimate headbanger history, Sound of the Beast reveals tales of concert hysteria, courtroom drama, and musical triumph with:
  • Interviews with Black Sabbath, Metallica, Morbid Angel, Me...  more »
  • Genre boxes explaining black metal, power metal, thrash metal, nu metal, and more
  • More than a hundred rare and unpublished photos
  • A thirty-year graphic timeline of metal milestones, hilarious metal lists, and the twenty-five most original recordings of all time
ISBN-13: 9780380811274
ISBN-10: 0380811278
Publication Date: 2/2004
Pages: 416
Rating:
  • Currently 4/5 Stars.
 7

4 stars, based on 7 ratings
Publisher: Harper Paperbacks
Book Type: Paperback
Other Versions: Hardcover
Members Wishing: 5
Reviews: Member | Amazon | Write a Review

Top Member Book Reviews

reviewed Sound of the Beast : The Complete Headbanging History of Heavy Metal on + 12 more book reviews
Helpful Score: 1
Anybody who is a TRUE heavy metal fan this book is a must! Ian Christe did his research into ALL of the genres of heavy metal! He is a DJ on Sirius Satellite radio channel 27 Hard Attack an all REAL metal music station with NO commercials!
reviewed Sound of the Beast : The Complete Headbanging History of Heavy Metal on
Helpful Score: 1
This book is a good biography of the origins and evolution of heavy metal music. It mostly covers the "classic" bands of the 70's and the NWOBHM in the 80's, along with the major players from early thrash (which this author decided to call "power metal", whether that's a misnomer on his part or if that was the term for it back then, I don't know), death metal, and black metal. The author does a good job of dispelling the "satanic" mythos by exposing certain bands' lyrics as mere shock value and by politicizing the church burnings and other violence associated with the Norwegian black metal scene. My only complaint would be that entire chapters were wasted on the barely-metal (if at all) genres of glam, metalcore and nu-metal, while the European speed/melodic power metal scene hardly got an entire sentence to itself.
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