Helpful Score: 1
I first read about Joss and Mavkel in Firebirds Rising. I enjoyed the short story so much that I decided I wanted to read their entire story.
This is classified as somewhat of a "Young Adult" book. Do not let that dissuade you! It is an action filled and thought provoking book as Joss strives to find some answers and to save the life of her new alien friend. Whether she sees it or not, Joss and Mavkel are ambassadors, as their class partnership is a groundbreaking event between both of their worlds.
It's definitely a good read. At one point I was rolling with laughter, yet another I was blinking away tears.
This is classified as somewhat of a "Young Adult" book. Do not let that dissuade you! It is an action filled and thought provoking book as Joss strives to find some answers and to save the life of her new alien friend. Whether she sees it or not, Joss and Mavkel are ambassadors, as their class partnership is a groundbreaking event between both of their worlds.
It's definitely a good read. At one point I was rolling with laughter, yet another I was blinking away tears.
It's been a while since I've read a straight-up science-fiction YA novel, and yet SINGING THE DOGSTAR BLUES proves to be one of the best of its genre. With a great protagonist and a fully realized world, this small book will suck you in so fast you won't even realize when you've lost your heart to it.
Joss is, without a doubt, my kind of girl. A bit jaded, a bit too smart for her own good, she is thoroughly entertaining to read about. Her tongue-in-cheek observations and flagrant disregard for Centre rules make her the opposite of the passive protagonist I typically dread in YA lit, and yet she's not so rebellious as to be unrelatable. She is, in a sense, the kind of "bad girl" most readers have secretly imagined themselves being.
Science fiction is difficult to write because it involves creating a thorough world and to consider the implications of adding any detail to the story. Luckily, Alison Goodman's world in SINGING THE DOGSTAR BLUES is remarkably believable and "real": I could very nearly see all that Joss sees through the sharp and precise writing.
The one complaint I had about this book was the predictability of the ending. I figured out how things were going to unfold several chapters before Joss did. This is a recurring weakness in Goodman's novels (her YA fantasy Eon: Dragoneye Reborn had the same thing happen), and yet doesn't majorly detract from my utter delight in reading this book. Overall, I can solidly recommend SINGING THE DOGSTAR BLUES as one of the YA science fiction novels ever written. Don't miss out on this one!
Joss is, without a doubt, my kind of girl. A bit jaded, a bit too smart for her own good, she is thoroughly entertaining to read about. Her tongue-in-cheek observations and flagrant disregard for Centre rules make her the opposite of the passive protagonist I typically dread in YA lit, and yet she's not so rebellious as to be unrelatable. She is, in a sense, the kind of "bad girl" most readers have secretly imagined themselves being.
Science fiction is difficult to write because it involves creating a thorough world and to consider the implications of adding any detail to the story. Luckily, Alison Goodman's world in SINGING THE DOGSTAR BLUES is remarkably believable and "real": I could very nearly see all that Joss sees through the sharp and precise writing.
The one complaint I had about this book was the predictability of the ending. I figured out how things were going to unfold several chapters before Joss did. This is a recurring weakness in Goodman's novels (her YA fantasy Eon: Dragoneye Reborn had the same thing happen), and yet doesn't majorly detract from my utter delight in reading this book. Overall, I can solidly recommend SINGING THE DOGSTAR BLUES as one of the YA science fiction novels ever written. Don't miss out on this one!
It's been a while since I've read a straight-up science-fiction YA novel, and yet SINGING THE DOGSTAR BLUES proves to be one of the best of its genre. With a great protagonist and a fully realized world, this small book will suck you in so fast you won't even realize when you've lost your heart to it.
Joss is, without a doubt, my kind of girl. A bit jaded, a bit too smart for her own good, she is thoroughly entertaining to read about. Her tongue-in-cheek observations and flagrant disregard for Centre rules make her the opposite of the passive protagonist I typically dread in YA lit, and yet she's not so rebellious as to be unrelatable. She is, in a sense, the kind of "bad girl" most readers have secretly imagined themselves being.
Science fiction is difficult to write because it involves creating a thorough world and to consider the implications of adding any detail to the story. Luckily, Alison Goodman's world in SINGING THE DOGSTAR BLUES is remarkably believable and "real": I could very nearly see all that Joss sees through the sharp and precise writing.
The one complaint I had about this book was the predictability of the ending. I figured out how things were going to unfold several chapters before Joss did. This is a recurring weakness in Goodman's novels (her YA fantasy Eon: Dragoneye Reborn had the same thing happen), and yet doesn't majorly detract from my utter delight in reading this book. Overall, I can solidly recommend SINGING THE DOGSTAR BLUES as one of the YA science fiction novels ever written. Don't miss out on this one!
Joss is, without a doubt, my kind of girl. A bit jaded, a bit too smart for her own good, she is thoroughly entertaining to read about. Her tongue-in-cheek observations and flagrant disregard for Centre rules make her the opposite of the passive protagonist I typically dread in YA lit, and yet she's not so rebellious as to be unrelatable. She is, in a sense, the kind of "bad girl" most readers have secretly imagined themselves being.
Science fiction is difficult to write because it involves creating a thorough world and to consider the implications of adding any detail to the story. Luckily, Alison Goodman's world in SINGING THE DOGSTAR BLUES is remarkably believable and "real": I could very nearly see all that Joss sees through the sharp and precise writing.
The one complaint I had about this book was the predictability of the ending. I figured out how things were going to unfold several chapters before Joss did. This is a recurring weakness in Goodman's novels (her YA fantasy Eon: Dragoneye Reborn had the same thing happen), and yet doesn't majorly detract from my utter delight in reading this book. Overall, I can solidly recommend SINGING THE DOGSTAR BLUES as one of the YA science fiction novels ever written. Don't miss out on this one!
It's been a while since I've read a straight-up science-fiction YA novel, and yet SINGING THE DOGSTAR BLUES proves to be one of the best of its genre. With a great protagonist and a fully realized world, this small book will suck you in so fast you won't even realize when you've lost your heart to it.
Joss is, without a doubt, my kind of girl. A bit jaded, a bit too smart for her own good, she is thoroughly entertaining to read about. Her tongue-in-cheek observations and flagrant disregard for Centre rules make her the opposite of the passive protagonist I typically dread in YA lit, and yet she's not so rebellious as to be unrelatable. She is, in a sense, the kind of "bad girl" most readers have secretly imagined themselves being.
Science fiction is difficult to write because it involves creating a thorough world and to consider the implications of adding any detail to the story. Luckily, Alison Goodman's world in SINGING THE DOGSTAR BLUES is remarkably believable and "real": I could very nearly see all that Joss sees through the sharp and precise writing.
The one complaint I had about this book was the predictability of the ending. I figured out how things were going to unfold several chapters before Joss did. This is a recurring weakness in Goodman's novels (her YA fantasy Eon: Dragoneye Reborn had the same thing happen), and yet doesn't majorly detract from my utter delight in reading this book. Overall, I can solidly recommend SINGING THE DOGSTAR BLUES as one of the YA science fiction novels ever written. Don't miss out on this one!
Joss is, without a doubt, my kind of girl. A bit jaded, a bit too smart for her own good, she is thoroughly entertaining to read about. Her tongue-in-cheek observations and flagrant disregard for Centre rules make her the opposite of the passive protagonist I typically dread in YA lit, and yet she's not so rebellious as to be unrelatable. She is, in a sense, the kind of "bad girl" most readers have secretly imagined themselves being.
Science fiction is difficult to write because it involves creating a thorough world and to consider the implications of adding any detail to the story. Luckily, Alison Goodman's world in SINGING THE DOGSTAR BLUES is remarkably believable and "real": I could very nearly see all that Joss sees through the sharp and precise writing.
The one complaint I had about this book was the predictability of the ending. I figured out how things were going to unfold several chapters before Joss did. This is a recurring weakness in Goodman's novels (her YA fantasy Eon: Dragoneye Reborn had the same thing happen), and yet doesn't majorly detract from my utter delight in reading this book. Overall, I can solidly recommend SINGING THE DOGSTAR BLUES as one of the YA science fiction novels ever written. Don't miss out on this one!
