Phaedrus (c. 15 BC — c. AD 50), Roman fabulist, was probably a Thracian slave, born in Pydna of Macedonia and lived in the reigns of Augustus, Tiberius, Caligula and Claudius. He is recognized as the first writer to Latinize entire books of fables, retelling in iambic metre the Greek prose Aesopic tales.
"A learned man has always riches in himself.""An alliance with a powerful person is never safe.""Everyone is bound to bear patiently the results of his own example.""Gentleness is the antidote for cruelty.""I would rather not be a king than to forfeit my liberty.""In a change of masters the poor change nothing except their master's name.""In outward show so splendid and so vain; 'tis but a gilded block without a brain.""It is the part of a fool to give advice to others and not himself to be on his guard.""Strangers he gulls, but friends make fun of him.""Submit to the present evil, lest a greater one befall you.""That only is a disgrace to a man which he has deserved to suffer.""The bow kept taut will quickly break, kept loosely strung, it will serve you when you need it.""The humble are in danger when those in power disagree.""The intelligence of few perceives what has been carefully hidden in the recesses of the mind.""The mind ought sometimes to be diverted that it may return to better thinking.""The only problem with seeing too much is that it makes you insane.""Things are not always as they seem; the first appearance deceives many.""Whoever is detected in a shameful fraud is ever after not believed even if they speak the truth.""Witticisms please as long as we keep them within boundaries, but pushed to excess they cause offense."
According to his own statement (prologue to book III), he was born on the Pierian Mountain in Macedonia, but he seems to have been brought to Italy at an early age, since he mentions reading a verse of Ennius as a boy in school. According to the heading of the chief manuscript he was a slave and was freed by Augustus.
He incurred the wrath of Sejanus, the powerful minister of Tiberius, by some supposed allusions in his fables, and was brought to trial and punished. We learn this from the prologue to the third book, which is dedicated to Eutychus, who has been identified with the famous charioteer and favorite of Gaius.
The fourth book is dedicated to Particulo, who seems to have dabbled in literature. The dates of their publication are unknown, but Seneca, writing between AD 41 and 43, knows nothing of Phaedrus, and it is probable that he had not yet published anything.
His writing introduces a mannerist style, rendered in iambic trimeters, to the fables attributed to "Aesop", popular with his contemporaries. The verses are interspersed with anecdotes drawn from daily life, history and mythology.
His use of Latin is typified by a particular use of abstract concepts that belies an awareness of the literary canon, especially Augustan works. Phaedrus draws comparisons with Babrius, and directly inspired a modern imitator, La Fontaine. He is mentioned by Martial, who imitated some of his verses, and by Avianus; Prudentius must have read him, for he imitates one of his lines (Prud. Cath. VII 115; ci. Phaedrus, IV 6, 10).
The first edition of the five books of Phaedrus was published by Pithou at Troyes in 1596 from a manuscript now in the possession of the Marquis of Rosanbo. Near the beginning of the 18th century, a manuscript of Perotti (1430—1480), archbishop of Siponto (Manfredonia, in Apulia), was discovered at Parma containing sixty-four fables of Phaedrus, of which some thirty were previously unknown. These new fables were first published in Naples by Cassitto in 1808, and afterwards (much more correctly) by Jannehli in 1809. Both editions were superseded by the discovery of a much better preserved manuscript of Perotti in the Vatican Library, published by Angelo Mai in 1831. For some time the authenticity of these new fables was disputed, but they are now generally accepted as genuine fables of Phaedrus. They do not form a sixth book, for we know from Avianus that Phaedrus wrote only five books, but it is impossible to assign them to their original places in the five books. They are usually printed as an appendix.
In the Middle Ages Phaedrus exercised a considerable influence through the prose and verse versions of his fables, which were current, even though his own works (and even his name) were apparently forgotten. Of the prose versions, the oldest existing one seems to be that known as the Anonymus Nilanti, so called because first edited by Nilant at Leiden in 1709 from a manuscript of the 13th century. It follows the text of Phaedrus so closely that it was probably made directly from it. Of the sixty-seven fables which it contains, thirty are derived from lost fables of Phaedrus.
Prose Romulus
The largest, oldest known and most influential of the prose versions of Phaedrus is that which bears the name of Romulus. It contains eighty-three fables, is as old as the 10th century, and seems to have been based on a still earlier prose version, which, under the name of "Aesop," and addressed to one Rufus, may have been made in the Carolingian period or even earlier. About this Romulus nothing is known.
The collection of fables in the Weissenburg (now Wolfenbüttel) manuscript is based on the same version as Romulus. These three prose versions contain in all one hundred distinct fables, of which fifty-six are derived from the existing fables and the remaining forty-four presumably from lost fables of Phaedrus. Some scholars, as Burmann, Dressier and L Muller, have tried to restore these lost fables by versifying the prose versions.
The prose Romulus collection became the source from which, during the second half of the Middle Ages, almost all the collections of Latin fables in prose and verse were wholly or partially drawn.
Verse Romulus
A version of the first three books of Romulus in elegiac verse, possibly made in around the 12th century, was one of the most highly influential texts in medieval Europe. Referred to variously (among other titles) as the verse Romulus or elegaic Romulus, it was a common teaching text for Latin and enjoyed a wide popularity well into the Renaissance. Its unknown author is usually referred to as "Anonynius Neveleti", although "he" has sometimes been identified with known figures such as Gualterus Anglicus. Another version of Romulus in Latin elegiacs was made by Alexander Neckam, born at St Albans in 1157.
Interpretive vernacular "translations" of the elegaic Romulus were very common in Europe in the Middle Ages. Among the collections partly derived from it, one of the most well-known is probably that in French verse by Marie de France. A collection of fables in Latin prose based partly on Romulus and given a strong medieval and clerical tinge was made c.1200 by the Cistercian monk Odo of Cheriton. In 1370 Gerard of Minden wrote a poetical version of Romulus in Middle Low German.
However, the most developed poetic derivation from the elegaic Romulus text, combined with other genres, was made in Dunfermline in the late 15th century by Robert Henryson. His version, composed in Middle Scots, is the only surviving example known to have made high art of the genre.
Since Pithou's edition in 1596 Phaedrus has been often edited and translated; among the editions may be mentioned those of Burmann (1718 and 1727), Richard Bentley (1726), Schwabe (1806), Berger de Xivrey (1830), Johann Caspar von Orelli (1832), Franz Eyssenhardt (1867), L. Müller (1877), Rica (1885), and above all that of Louis Havet (Paris, 1895). For the medieval versions of Phaedrus and their derivatives see L. Roth, in Philologus; E. Grosse, in Jahrb. f. class. Philol., cv. (1872); and especially the learned work of Leopold Hervieux, Les Fabulistes latins depuis le siècle d'Auguste jusqu'a la fin du Moyen Âge (Paris, 1884), who gives the Latin texts of all the medieval imitators (direct and indirect) of Phaedrus, some of them being published for the first time.
