Helpful Score: 2
1970's England. Fancy jaguars parked in the garages of upperclass suburban homes. Mothers in dainty white gloves wiping the sugar off their children's mouths. Fathers returning on the weekends with their briefcases in one hand, while expecting a shot of scotch from the bottle in the cabinet, in the other. This is the scene in which the primary portion of Perfect is set.
Upon witnessing a terrible lapse of time and in awareness, Byron Hemmings is caught in between the worlds of childhood and adulthood, as he is reluctantly forced to make a choice: reveal this secret about his precious, faultless mother, Diana, or keep quiet in his own mind forever. When his genius friend, James, excitedly concocts a plan to fix this intangible error, Operation Perfect is born; as the judgment of two adolescent boys goes, the procedure will either go according to plan, just as imagined in their hands... or it will end it utter disaster.
Byron's balmy, yet increasingly paranoiac summer days, are interspersed with Jim's portion of the story, set in a bitter present-day winter. Jim is a middle-aged obsessive-compulsive, who lives in a van, who works as a busboy, and whose condition worsens when reminiscing about his past and his haunting experience at Besley Hill, the sanitarium he was shoved into as a teenager.
The two seemingly unrelated narratives catch up to each other in a collision of time; they swerve together and explode into one another in a fateful, alarming twist that will leave readers breathless. For the majority of the novel, however, the prose ishowever flowery and fancifullanguidly, almost sluggishly, set. I found Joyce's writing enjoyable, but very thick and puzzling, especially in the first half. Almost Ian McEwan-esque, her prose isn't particularly difficult to get through, but at times it was just thoroughly boring, which is why it took me a while to finish.
In characterization, in plot, and in tone, however, Perfect is a masterpiece. Each of the characters, even the ones that only make small appearances, are so vivid and intimately portrayed. Readers will cherish the characters they are meant to like, and loathe the ones they are meant to dislike. The eerily calm but inherently alarming mood sets up a domestically freakish story; while plain and placid in technique and style, the undertones of Perfect not only illuminate upon values of mistakes, redemption, and the human condition, but also bewilder, perplex. This is definitely a book that makes you think hard.
Pros: Substantial, exquisite writing // Contains one of the most elegantly executed, shocking plot twists ever // Deeply meaningful // The way Byron's mind runs in fascinating // All the characters are fabulously depicted; I fell in love with the protagonists and hated the antagonists deeply
Cons: Very confusing at first // Moves extremely slowly, even in the end // I liked the prose but it was a little sludgy
Verdict: The injustices of adulthood and the restrictive bindings of upperclass society are brought to light in Rachel Joyce's newest British novel. Byron Hemmings's brilliantly fleshed, intimately portrayed character will make you think twice about the role of children, the responsibility ofor vindication fromaccidents, and the faults of trustthe faults of humanity. One young boy's naïveté and misplaced guilt, as well as his mother's faultless crime, ignite this slow deterioration of an outwardly immaculate, perfect household. With grand allusions to the philosophy of time and the significance of deep thinking, Perfect questions the disastrous consequences of our every choice.
Rating: 8 out of 10 hearts (4 stars): An engaging read that will be worth your while; highly recommended.
Source: Complimentary copy provided by publisher via tour publicist in exchange for an honest and unbiased review (thank you, Random House and TLC!).
Upon witnessing a terrible lapse of time and in awareness, Byron Hemmings is caught in between the worlds of childhood and adulthood, as he is reluctantly forced to make a choice: reveal this secret about his precious, faultless mother, Diana, or keep quiet in his own mind forever. When his genius friend, James, excitedly concocts a plan to fix this intangible error, Operation Perfect is born; as the judgment of two adolescent boys goes, the procedure will either go according to plan, just as imagined in their hands... or it will end it utter disaster.
Byron's balmy, yet increasingly paranoiac summer days, are interspersed with Jim's portion of the story, set in a bitter present-day winter. Jim is a middle-aged obsessive-compulsive, who lives in a van, who works as a busboy, and whose condition worsens when reminiscing about his past and his haunting experience at Besley Hill, the sanitarium he was shoved into as a teenager.
The two seemingly unrelated narratives catch up to each other in a collision of time; they swerve together and explode into one another in a fateful, alarming twist that will leave readers breathless. For the majority of the novel, however, the prose ishowever flowery and fancifullanguidly, almost sluggishly, set. I found Joyce's writing enjoyable, but very thick and puzzling, especially in the first half. Almost Ian McEwan-esque, her prose isn't particularly difficult to get through, but at times it was just thoroughly boring, which is why it took me a while to finish.
In characterization, in plot, and in tone, however, Perfect is a masterpiece. Each of the characters, even the ones that only make small appearances, are so vivid and intimately portrayed. Readers will cherish the characters they are meant to like, and loathe the ones they are meant to dislike. The eerily calm but inherently alarming mood sets up a domestically freakish story; while plain and placid in technique and style, the undertones of Perfect not only illuminate upon values of mistakes, redemption, and the human condition, but also bewilder, perplex. This is definitely a book that makes you think hard.
Pros: Substantial, exquisite writing // Contains one of the most elegantly executed, shocking plot twists ever // Deeply meaningful // The way Byron's mind runs in fascinating // All the characters are fabulously depicted; I fell in love with the protagonists and hated the antagonists deeply
Cons: Very confusing at first // Moves extremely slowly, even in the end // I liked the prose but it was a little sludgy
Verdict: The injustices of adulthood and the restrictive bindings of upperclass society are brought to light in Rachel Joyce's newest British novel. Byron Hemmings's brilliantly fleshed, intimately portrayed character will make you think twice about the role of children, the responsibility ofor vindication fromaccidents, and the faults of trustthe faults of humanity. One young boy's naïveté and misplaced guilt, as well as his mother's faultless crime, ignite this slow deterioration of an outwardly immaculate, perfect household. With grand allusions to the philosophy of time and the significance of deep thinking, Perfect questions the disastrous consequences of our every choice.
Rating: 8 out of 10 hearts (4 stars): An engaging read that will be worth your while; highly recommended.
Source: Complimentary copy provided by publisher via tour publicist in exchange for an honest and unbiased review (thank you, Random House and TLC!).
