Susan F. (scoutmomskf) -
Helpful Score: 1
Maxwell Crenshaw's father is up to his old tricks, and even a heart attack doesn't slow him down. Not content to have married off his daughters August and Violet to a duke and an earl, Mr. Crenshaw is determined to secure Crenshaw Ironworks' legacy by forcing Max to marry. He doesn't go so far as to pick the bride this time around, but he refuses to listen to Max's objections. If Max isn't at least engaged by Christmas, Mr. Crenshaw will make sure that August's foundry project comes to a crashing halt. As long as he gets his way, he doesn't care what effect it would have on either August or the firm. Max is understandably furious for himself and August but can't figure out how to get out of it. Then he renews his acquaintance with Lady Helena.
Max and Helena met in The Devil and the Heiress when they joined forces to save his sister Violet from scandal. The sparks between them were intense, but their focus was on Violet. Plus, Max would head back to New York to resume running Crenshaw Ironworks. Helena would continue her work running an orphanage and getting her London Home for Young Women started. But the lovely young widow runs into a snag when her benefactors start pulling out because (gasp!) she is associating with fallen women. It seems that her father has been dropping hints behind her back about the unsuitability of her actions. But if she had a husband who supported her efforts, he would withdraw his objections.
I liked Max and Helena. Unlike their fathers, they are kind-hearted with great empathy for others. Max understands the needs of his company's employees and their families, fighting for fair wages and working conditions. As a woman of her time, Helena understands that women often have no control over their lives and futures and wants to help as many as possible take back some of that control.
After a few encounters with Helena remind Max of how attracted he is to her, he hits on the idea of proposing a mutually beneficial arrangement. He suggests that they enter into a fake courtship and engagement, thereby getting their fathers off their backs. This will give him time to solidify August's project before he returns to New York and give Helena the respectability required to raise the funds she needs.
I enjoyed watching the development of Max and Helena's relationship. Though their courtship is fake, their chemistry is all too real. It manifests early in their ability to push each other's buttons. Helena seems to get an inordinate amount of pleasure from riling up Max. Meanwhile, Max would like to find a way to get that passion into his bed. As they spend time together "courting," Max and Helena discover that they have quite a lot in common, leading to the admission that they like each other. The attraction between them continues to grow until they can no longer resist. And while the explosive passion they experienced convinces Max he'd like to make their engagement real, for Helena, it reminds her that marriage between them is impossible. I ached for Max as Helena put more and more distance between them to protect his legacy and her heart. Her reason was heartbreaking, and I ached for what it meant for her dream of happiness. Max tried to convince her that his love for her was strong enough to withstand the problem, but Helena's past wouldn't let her believe. August and Violet's solution to the issue was unorthodox but gave Helena the courage to go to Max with her heart open at last.
One of my favorite things about this book is the passion Max and Helena exhibit for the things they believe in. This is illustrated when they discover they both want the same property for their projects. Each is passionately eloquent in describing their plans, goals, and what they believe the results will be. For each of them, it's the first time they understand the full scope of what the other does. I liked how the issue was resolved. Helena also opened Max's eyes to the plight of the women she helped and stood up to his patronizing solution. I thoroughly enjoyed watching her convert his point of view. There are several good follow-up scenes also.
There is a teaser for the next book, and I can't wait to read it. My heart ached for Camille at the beginning of the first book. In this book, the twist involving her at the house party opened many possibilities, and I can't wait to see what she does.
#netgalley
Max and Helena met in The Devil and the Heiress when they joined forces to save his sister Violet from scandal. The sparks between them were intense, but their focus was on Violet. Plus, Max would head back to New York to resume running Crenshaw Ironworks. Helena would continue her work running an orphanage and getting her London Home for Young Women started. But the lovely young widow runs into a snag when her benefactors start pulling out because (gasp!) she is associating with fallen women. It seems that her father has been dropping hints behind her back about the unsuitability of her actions. But if she had a husband who supported her efforts, he would withdraw his objections.
I liked Max and Helena. Unlike their fathers, they are kind-hearted with great empathy for others. Max understands the needs of his company's employees and their families, fighting for fair wages and working conditions. As a woman of her time, Helena understands that women often have no control over their lives and futures and wants to help as many as possible take back some of that control.
After a few encounters with Helena remind Max of how attracted he is to her, he hits on the idea of proposing a mutually beneficial arrangement. He suggests that they enter into a fake courtship and engagement, thereby getting their fathers off their backs. This will give him time to solidify August's project before he returns to New York and give Helena the respectability required to raise the funds she needs.
I enjoyed watching the development of Max and Helena's relationship. Though their courtship is fake, their chemistry is all too real. It manifests early in their ability to push each other's buttons. Helena seems to get an inordinate amount of pleasure from riling up Max. Meanwhile, Max would like to find a way to get that passion into his bed. As they spend time together "courting," Max and Helena discover that they have quite a lot in common, leading to the admission that they like each other. The attraction between them continues to grow until they can no longer resist. And while the explosive passion they experienced convinces Max he'd like to make their engagement real, for Helena, it reminds her that marriage between them is impossible. I ached for Max as Helena put more and more distance between them to protect his legacy and her heart. Her reason was heartbreaking, and I ached for what it meant for her dream of happiness. Max tried to convince her that his love for her was strong enough to withstand the problem, but Helena's past wouldn't let her believe. August and Violet's solution to the issue was unorthodox but gave Helena the courage to go to Max with her heart open at last.
One of my favorite things about this book is the passion Max and Helena exhibit for the things they believe in. This is illustrated when they discover they both want the same property for their projects. Each is passionately eloquent in describing their plans, goals, and what they believe the results will be. For each of them, it's the first time they understand the full scope of what the other does. I liked how the issue was resolved. Helena also opened Max's eyes to the plight of the women she helped and stood up to his patronizing solution. I thoroughly enjoyed watching her convert his point of view. There are several good follow-up scenes also.
There is a teaser for the next book, and I can't wait to read it. My heart ached for Camille at the beginning of the first book. In this book, the twist involving her at the house party opened many possibilities, and I can't wait to see what she does.
#netgalley
