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James Michael Bernard (20 September 1925 – 12 July 2001) was a British film composer.

He was a pupil at Wellington College which had previously been attended by the future actor, Christopher Lee, who starred in many of Hammer's horror films, for which he wrote the score. James Bernard undertook national service in the RAF from 1943 to 1946. Benjamin Britten kept in touch with him during this period and encouraged him to learn the principles of composition. After being demobbed he went to the Royal College of Music, studying under Imogen Holst and Herbert Howells. He graduated in 1949. In 1950 Britten approached him to copy out the vocal score of his new opera Billy Budd for his publishers Boosey & Hawkes. While doing this he stayed with Benjamin Britten at Aldeburgh. He went to the opening night with Benjamin Britten's housekeeper and the librettist, E. M. Forster.

Around the time Bernard graduated from the RCM, he met the writer and critic Paul Dehn with whom he started a professional relationship, but who also became his life partner. Paul Dehn asked James Bernard to collaborate with him on the original screen story for the Boulting Brothers film Seven Days to Noon (1950). For this Paul Dehn and James Bernard shared the 1952 Academy Award for the Best Writing, Motion Picture Story.

Undoubtedly his best remembered music score for Hammer Films was, Horror of Dracula (1958) featured a motif based on the sound Dra-cu-laaaaa. Other memorable Hammer scores include The Curse of Frankenstein (1957), The Kiss of the Vampire (1962), The Plague of the Zombies (1966) and The Devil Rides Out (1968).

His music was distinct for its clashing harmonies, often created by doubling a motif a tone higher, as in his famous Dracula theme. His music was also frenzied and pacey at times, frequently making use of percussion such as timpani and snares. The Devil Rides Out (1968) and The Plague of the Zombies (1966) are good examples of this. However, he could also write lushly romantic melodies, such as appear in Frankenstein Created Woman (1967), Taste the Blood of Dracula (1970) and Scars of Dracula (also 1970). Unlike the majority of film composers, Bernard orchestrated almost all of his work.

Paul Dehn died in 1976. Working on She (1965), Bernard first met the man who later became his second life partner, actor Ken McGregor, with whom he lived in Jamaica until 1993, when the two men returned to England. McGregor died in 1994.

In later years, he was called upon by silent film historian Kevin Brownlow to write an original score for F. W. Murnau's classic silent horror Nosferatu (1922/1997) and for Brownlow's documentary Universal Horror (1998) on the horror films of the American studio. David Huckvale's critical biography of the composer,"James Bernard - Composer to Count Dracula" was published by McFarland in 2006.

This author page uses material from the Wikipedia article "James Bernard", which is released under the Creative Commons Attribution-Share-Alike License 3.0