Bey's early work is described in the translator's biography of one of his earliest works:
After studying at Columbia University, he did extensive traveling in the Middle East, Afghanistan, Pakistan, India and Nepal. He studied Tantra in West Bengal and visited many Sufi shrines and masters. In 1971 he undertook research on the Ni'matullahi funded by the Marsden Foundation of New York.
This research was the basis of Bey's book
Kings of Love. The biography continues:
During 1974 and 1975 he was consultant in London and Tehran for the World of Islam Festival. In 1974 he became director of English language publications at the Imperial Iranian Academy of Philosophy in Tehran under Seyyed Hossein Nasr, and he studied, worked with, and published books by Nasr, Toshihiko Izutsu, Henry Corbin and others. He was editor of Sophia Perennis, the Journal of the IIAP.
Bey left Iran during the Islamic Revolution. In the 1980s, his ideas evolved from a kind of Guénonist neo-traditionalism to a synthesis of anarchism and Situationist ideas with heterodox Sufism and Neopaganism, describing his ideas as "anarchist ontology" or "immediatism". In the past he has worked with the not-for-profit publishing project Autonomedia, in Brooklyn, New York.
In addition to his writings on anarchism and Temporary Autonomous Zones, Bey has written essays on such diverse topics as Tong traditions, the utopian Charles Fourier, the fascist Gabriele D'Annunzio, alleged connections between Sufism and ancient Celtic culture, sacred pederasty in the Sufi tradition, technology and Luddism, and
Amanita muscaria use in ancient Ireland.
Bey's poetic texts and poems have appeared in:
P.A.N.;
Panthology One, Two, and Three;
Ganymede;
Exquisite Corpse; and the various
Acolyte Reader paperbacks. Many of these poems, including the 'Sandburg' series, are collected in the as-yet unpublished
DogStar volume. Currently his works can be found regularly in publications like
Fifth Estate and the NYC-based
First of the Month.
He has also published at least one novel,
The Chronicles of Qamar: Crowstone.
Bey, especially because of his TAZ work, has often been embraced by rave subculture, as ravers have identified the experience and occasions of raves as part of the tradition of "Temporary Autonomous Zones" that Bey outlines, particularly the "free party" or teknival scene. Bey has been supportive of the rave connection, while remarking in an interview, "The ravers were among my biggest readers... I wish they would rethink all this techno stuff ... they didn’t get that part of my writing."