"As the scripts come in they are sent to the artists, and the artists are either very busy, or ready to start.""Hitman does well and it certainly does well enough to survive, but at the same time I don't want to involve the character into the DC Universe even if it meant more sales, to the point where we sort of upset the balance that we have at the moment.""I can't really put it in one sentence because although on one hand Preacher is about faith and yes it is also about, I suppose, the search for God, the search for faith and the manipulation and the abuse committed by figures in whom I suppose people have faith.""I don't necessarily write everything as automatically assuming it will be collected, there's nothing that says Hitman will be collected, though it might be.""I guess you can stay sort of true to the story; you don't have to artificially bring the character back from whatever doom you've designed for them, you can tell the story, I suppose, honestly.""I suppose that Heartland, Unknown Soldier and Pride and Joy represent not a quieter side but more of a serious side to my work, something I've been getting into recently.""I'm sure you're aware, with the time it takes to put these books together, everything can suddenly start coming out at once even though I wrote anything between one and five years ago.""If you look at Marvel Comics, there are very few Marvel characters I would like to write.""It would have shown people that I was prepared to do that kind of work, although I find myself in a position now where I don't really need to and I could pick and choose the kind of characters I'd like to do.""It's nice to be in a situation where the two books that I write for a sort of regular monthly income are also works that I enjoy immensely, rather than them being some kind of bread and butter, do it because you have to do it.""Most regular superhero books are designed to go on forever; of course, very few of them do, but the point is they are trying to throw mud against the wall and hope it will stick, and most of it slides off.""Preacher is a book that somehow allows me time by its settling on it's characters, that sort of modern gothic western feel. You're not likely to see the boat veering too far from that.""There's immense fun to be had as long as you can sort of sneak it past DC. I have been told on occasion that I need to have more respect for these characters.""With a mini series you can give the story a proper sense of pacing, a proper sense of closure.""Yeah, Hitman I suppose is most of the time a lighter read than Preacher; it was always going to be.""You know, I think I did originally have some sort of idea of maybe a Where Eagles Dare kind of mission against impossible odds, but it really sort of died before I had a chance to really go anywhere with it, and then just doing the book was out of the question."
Ennis began his comic-writing career in 1989 with the series Troubled Souls. Appearing in the short-lived but critically-acclaimed British anthology Crisis and illustrated by McCrea, it told the story of a young, apolitical Protestant man caught up by fate in the violence of the Irish 'Troubles'. It spawned a sequel, For a Few Troubles More, a broad Belfast-based comedy featuring two supporting characters from Troubled Souls, Dougie and Ivor, who would later get their own American comics series, Dicks, from Caliber in 1997, and several follow-ups from Avatar.
Another series for Crisis was True Faith, a religious satire inspired by his schooldays, this time drawn by Warren Pleece. Like the two Troubles stories it was collected as a graphic novel in 1990, but religious protests led to it being quickly withdrawn from sale, apparently on the orders of publisher Robert Maxwell. It was later republished in 1997 by Vertigo.
Ennis shortly after began to write for Crisis' parent publication, 2000 AD. He quickly graduated on to the title's flagship character, Judge Dredd, taking over from original creator John Wagner for a period of several years. Ennis's most notable Dredd stories include Muzak Killer (a pastiche of mainstream pop music), Emerald Isle (a tongue-in-cheek story set in Ennis's native Ireland), and the twenty-part epic Judgment Day. Ennis also contributed the surreal Time Flies (with artist Philip Bond), dealing with time travel paradoxes and Nazis.
Ennis' first work on an American comic came in 1991 when he took over DC Comics's horror title Hellblazer, which he wrote until 1994, and for which he currently holds the title for most issues written. Steve Dillon became the regular artist during the second half of Ennis's run. The creative partnership established went on to create Preacher. From 1993 to 1995 Ennis and John McCrea worked on another DC title, The Demon, during which they introduced super-powered contract killer Tommy Monaghan, also known as Hitman, whose own series would allow their creative partnership to continue when The Demon ended. Towards the end of the initial Hellblazer run, Ennis and Dillon collaborated on a one-shot called Heartland, exploring one of the secondary characters of their run. Several years after leaving, Ennis briefly returned for the five-part Son of Man story with artist John Higgins.
Ennis' landmark work to date is the 66-issue epic Preacher, which he co-created with artist Steve Dillon. Running from 1995 to 2000, it was a tale of a preacher with supernatural powers, searching (literally) for God who has abandoned his creation. Mixing influences from western movies and religious themes, it drew plaudits for Ennis from all sections of the media; the Guardian newspaper voted one of the Preacher collections its book of the week, and film director Kevin Smith described it as "More fun than going to the movies."
While Preacher was running, Ennis began a series set in the DC universe called Hitman. Despite being lower profile than Preacher, Hitman ran for 60 issues (plus specials) from 1996 to 2001, veering wildly from violent action to humour to an examination of male friendship under fire.
Other comic projects Ennis wrote during this time period include Goddess, Bloody Mary, Unknown Soldier, and Pride & Joy, all for DC/Vertigo, as well as origin stories for The Darkness for Image Comics and Shadowman for Valiant Comics.
After the end of Hitman, Ennis was lured to Marvel Comics with the promise from Editor-in-Chief Joe Quesada that he could write The Punisher as long as he cared to. The initial 12-issue maxi-series was illustrated by Steve Dillon, who also did a 37-issue series (even illustrating it and co-writing an issue while Ennis briefly stepped down as writer) which only ended when Ennis decided to change direction. Instead of largely comical tone of these issues, he decided to make a much more serious series, re-launched under Marvel's MAX imprint. This run has inspired several limited series (such as Born and Barracuda) and one-shots (The End, The Cell, and The Tyger). The creators of the new Punisher movie, War Zone, have attributed Ennis's Punisher MAX run as one of the major influences for that film. While at Marvel, Ennis also wrote stories for Spider-Man, Ghost Rider, The Hulk, and Thor.
In 2001 he briefly returned to UK comics to write the epic Helter Skelter for Judge Dredd - this series cannot be considered a success, with Ennis himself saying that there is "not a hope" to return to writing Dredd as he was generally not happy with his run. "I’m too close to Dredd, I like him too much. I can’t tamper with the formula; nor can I take the piss the way I do with superheroes," he said.
Other comics Ennis has written include War Story (with various artists) for DC; The Pro for Image Comics; The Authority for Wildstorm; Just a Pilgrim for Black Bull Press, and 303, Chronicles of Wormwood (a six issue mini-series about the Antichrist), and a western comic book, Streets of Glory for Avatar Press.
His work has won him a good deal of recognition in the comics industry, including nominations for the Comics Buyer's Guide Award for Favorite Writer in 1997, 1998, 1999, and 2000.
Unexpectedly, in 2006, it was announced that Ennis would write a new creator-owned extended series titled The Boys, originally published by Wildstorm. After just six issues, The Boys was cancelled by Wildstorm, despite high sales and with no reason given. The series was picked up by Dynamite Entertainment, and is now ongoing. The Boys sees Ennis reunited with artist Darick Robertson, the two had previously worked together on the Marvel series Fury: Peacemaker and Punisher: Born. The Boys is expected to run for sixty issues.
Ennis wrote the first arc of WildStorm's Midnighter (a spin-off of The Authority) and one stand alone issue before leaving the title. Ennis has also worked with John Woo on a 5-issue comic book mini-series called Seven Brothers for Virgin Comics.
In 2008 Ennis ended his five-year run on Punisher MAX to debut a new Marvel title, War Is Hell: The First Flight of the Phantom Eagle. The limited series, with artist Howard Chaykin, features the little-used character Phantom Eagle, a WWI pilot who originally appeared in Marvel Comics during the 1960s. In 2008, Ennis also wrote a new Dan Dare miniseries published by Virgin Comics.
In June 2008, at Wizard World, Philadelphia, Ennis announced several new projects, including a metaseries of war comics called Battlefields from Dynamite made up of mini-series including Night Witches, Dear Billy and Tankies, another Chronicles of Wormwood mini-series and Crossed both at Avatar, a six-issue miniseries about Butcher (from The Boys) and a Punisher project reuniting him with artist Steve Dillon (subsequently specified to be a weekly mini-series entitled War Zone, to be released concurrently with the film of the same name). He has also worked with Jimmy Palmiotti on Back to Brooklyn, a crime-based limited series for Image Comics.
