Helpful Score: 2
A new approach to telling a story. I felt like i was eavesdropping as I read through the emails, at the same time I was seeing a story unfold.
Helpful Score: 1
It's clever & really very very funny. Don't worry too much about keeping all the minor characters clear.
Helpful Score: 1
I actually have the UK version - ISBN # 0-00-710068-X.
From Publishers Weekly
Lightbulb jokes, office snafus and scatological humor are ostensibly the stuff of comedy in this debut epistolary novel constituted solely of e-mails. It's the dawn of the new millennium and the London advertising firm of Miller Shanks is about to embark on two weeks of intensive effort with the goal of winning the most impressive jewel in the industry's crown: the $84 billion Coca-Cola account. Meanwhile, a team has been dispatched to Mauritius for a location shoot, where they run afoul of Ivana Trump, and a technological glitch has been rerouting all of the CEO's communications to the Helsinki office, so the Finns have cheerfully blundered their way into the Coke campaign with an ABBA-esque pitch. The one-dimensional characters are predictable typesDthe prima donna creative director, the touchy-feely copywriter, the many sycophants and backstabbersDwith not a real protagonist in sight to hang the reader's sympathies on. The plot is thin, the internecine conflicts will likely intrigue only those with a particular interest in advertising, the constant paranoid jockeying for power is tiresome and the clich d office sexual shenanigans lose their juice when played out in the noncorporeal land of cyberspace. In an age of swiftly advancing technology, this material already seems dated with its Y2K references. In theory, a novel composed solely of digital correspondence should provide voyeuristic, warp-speed fun. In practice, this one is like reading endless pages of other people's junk mail. (Oct.)
From Publishers Weekly
Lightbulb jokes, office snafus and scatological humor are ostensibly the stuff of comedy in this debut epistolary novel constituted solely of e-mails. It's the dawn of the new millennium and the London advertising firm of Miller Shanks is about to embark on two weeks of intensive effort with the goal of winning the most impressive jewel in the industry's crown: the $84 billion Coca-Cola account. Meanwhile, a team has been dispatched to Mauritius for a location shoot, where they run afoul of Ivana Trump, and a technological glitch has been rerouting all of the CEO's communications to the Helsinki office, so the Finns have cheerfully blundered their way into the Coke campaign with an ABBA-esque pitch. The one-dimensional characters are predictable typesDthe prima donna creative director, the touchy-feely copywriter, the many sycophants and backstabbersDwith not a real protagonist in sight to hang the reader's sympathies on. The plot is thin, the internecine conflicts will likely intrigue only those with a particular interest in advertising, the constant paranoid jockeying for power is tiresome and the clich d office sexual shenanigans lose their juice when played out in the noncorporeal land of cyberspace. In an age of swiftly advancing technology, this material already seems dated with its Y2K references. In theory, a novel composed solely of digital correspondence should provide voyeuristic, warp-speed fun. In practice, this one is like reading endless pages of other people's junk mail. (Oct.)
I read this in 2 days. Written in email format so it was a breeze. I love the concept.
The entire book is set in email form. It's difficult to keep with all the postings. You actually have to be well versed in the corporate culture to keep up with the pace. Lots of swearing and backstabbings. Great fun to read of you hate your job.
I started this one and finished it within 3 evenings of reading - I really liked it! The story is written as a series of emails between workers for an advertising agency. Just about anyone who works in a corporate office environment will be able to relate to the various characters and some of the crazy situations in which they find themselves.
