Helpful Score: 2
When I began blogging last June, one of the very first authors I raved about was Craig Johnson. Get ready to listen to more raves because my opinion of him is unchanged.
In this fifth book of the series, we see the Sheriff of Absaroka County, Wyoming, working undercover as an insurance agent in the tiny, ill-tempered town of Absalom. Absalom resident Wade Barstad, well-known womanizer and jerk-about-town, set fire to his barn. The fire roasted alive his wife's horses, which didn't set too well with Mary. Mary Barstad waited till Wade went to bed. She then proceeded to put six bullets in his head and set fire to the house. When the fire department showed up, Mary confessed to killing her husband. But the sheriff in that county smells a rat, and he soon has Walt Longmire sniffing the very same eau de rongeur. Seeing as how most Absalom residents would just as soon shoot strangers as look at 'em, will Walt have enough time to figure out what really happened?
Although Johnson writes of his corner of Wyoming as if it's a character in and of itself, it's really the two-legged ones for whom you want to read this series. Each a rugged individualist, learning everyone's outlooks on life as well as their relationships with the other characters is the meat and potatoes of these books. The mystery is the huge wedge of lemon meringue pie that puts a satisfied PAID to the entire meal.
It's difficult to write a novel about the West and not have the landscape have its say. Just ask Hillerman or Bowen or Box...or Craig Johnson:
"I thought about how we tilled and cultivated the land, planted trees on it, fenced it, built houses on it, and did everything we could to hold off the eternity of distance-- anything to give the landscape some sort of human scale. No matter what we did to try and form the West, however, the West inevitably formed us instead."
Walt Longmire was raised by his mother to respect and help the young, the old and the infirm. He's the type of person who can stare at the wall around a pay phone and think
"People had written and scratched things so deeply that re-paintings had only heightened the sentiment. I wondered if Custer really wore Arrow shirts, if DD still loved NT, if the eleven kids that got left at the parking lot were still beating the Broncos twenty-four to three, or if 758-4331 was still a good time. I thought about the love, heartbreaks, and desperate passions that had been played out through the phone in my hand...."
No matter how he may try to dissemble, when the chips are down you want Walt Longmire guarding your back. The man who can wonder about DD and NT truly gives a damn.
The book is told in two alternating time frames: the present while Walt is undercover, and the two weeks leading to his arrival in Absalom. Although this had me chafing at the bit a few times, it did serve two purposes: reminding us why Walt thought Mary Barstad was important enough to risk his life for, and giving us doses of Walt's co-workers and friends who couldn't follow him into this investigation. This series isn't the Walt Longmire Show; the secondary characters are just as well-drawn and easy to get attached to as he is.
Although I still doubt the wisdom of having a character like Walt go undercover practically on his own home turf, I loved this book. In a nostalgic post a few days ago, I mentioned being horse crazy, which was a bit prophetic. The Dark Horse was drawing to a close. Walt had to save someone's life and the only transportation available to take him down off a high mesa and toward help was a magnificent black horse. I swear, if someone had interrupted me at that moment, I wouldn't have bothered with a gun or a baseball bat or a scream of rage. I would've let fly with one of my Spontaneous Combustion Looks-- guaranteed to flash fry the recipient down to his Tony Lamas in one-tenth of a second.
Craig Johnson turned back my clock. While my adult brain was being very well taken care of, I was also a child, sitting here with my eyes glued to the page, reading about a hero and a horse and a race against time. Not many writers are skilled enough to satisfy on so many levels. Johnson is one of the few.
In this fifth book of the series, we see the Sheriff of Absaroka County, Wyoming, working undercover as an insurance agent in the tiny, ill-tempered town of Absalom. Absalom resident Wade Barstad, well-known womanizer and jerk-about-town, set fire to his barn. The fire roasted alive his wife's horses, which didn't set too well with Mary. Mary Barstad waited till Wade went to bed. She then proceeded to put six bullets in his head and set fire to the house. When the fire department showed up, Mary confessed to killing her husband. But the sheriff in that county smells a rat, and he soon has Walt Longmire sniffing the very same eau de rongeur. Seeing as how most Absalom residents would just as soon shoot strangers as look at 'em, will Walt have enough time to figure out what really happened?
Although Johnson writes of his corner of Wyoming as if it's a character in and of itself, it's really the two-legged ones for whom you want to read this series. Each a rugged individualist, learning everyone's outlooks on life as well as their relationships with the other characters is the meat and potatoes of these books. The mystery is the huge wedge of lemon meringue pie that puts a satisfied PAID to the entire meal.
It's difficult to write a novel about the West and not have the landscape have its say. Just ask Hillerman or Bowen or Box...or Craig Johnson:
"I thought about how we tilled and cultivated the land, planted trees on it, fenced it, built houses on it, and did everything we could to hold off the eternity of distance-- anything to give the landscape some sort of human scale. No matter what we did to try and form the West, however, the West inevitably formed us instead."
Walt Longmire was raised by his mother to respect and help the young, the old and the infirm. He's the type of person who can stare at the wall around a pay phone and think
"People had written and scratched things so deeply that re-paintings had only heightened the sentiment. I wondered if Custer really wore Arrow shirts, if DD still loved NT, if the eleven kids that got left at the parking lot were still beating the Broncos twenty-four to three, or if 758-4331 was still a good time. I thought about the love, heartbreaks, and desperate passions that had been played out through the phone in my hand...."
No matter how he may try to dissemble, when the chips are down you want Walt Longmire guarding your back. The man who can wonder about DD and NT truly gives a damn.
The book is told in two alternating time frames: the present while Walt is undercover, and the two weeks leading to his arrival in Absalom. Although this had me chafing at the bit a few times, it did serve two purposes: reminding us why Walt thought Mary Barstad was important enough to risk his life for, and giving us doses of Walt's co-workers and friends who couldn't follow him into this investigation. This series isn't the Walt Longmire Show; the secondary characters are just as well-drawn and easy to get attached to as he is.
Although I still doubt the wisdom of having a character like Walt go undercover practically on his own home turf, I loved this book. In a nostalgic post a few days ago, I mentioned being horse crazy, which was a bit prophetic. The Dark Horse was drawing to a close. Walt had to save someone's life and the only transportation available to take him down off a high mesa and toward help was a magnificent black horse. I swear, if someone had interrupted me at that moment, I wouldn't have bothered with a gun or a baseball bat or a scream of rage. I would've let fly with one of my Spontaneous Combustion Looks-- guaranteed to flash fry the recipient down to his Tony Lamas in one-tenth of a second.
Craig Johnson turned back my clock. While my adult brain was being very well taken care of, I was also a child, sitting here with my eyes glued to the page, reading about a hero and a horse and a race against time. Not many writers are skilled enough to satisfy on so many levels. Johnson is one of the few.
