"After a hundred years the son of the King then reigning, who was of another family from that of the sleeping Princess, was a-hunting on that side of the country, and he asked what those towers were which he saw in the middle of a great thick wood.""Her godmother simply touched her with her wand, and, at the same moment, her clothes were turned into cloth of gold and silver, all decked with jewels.""I wish with all my heart that you may be the most lovable prince in the world, and I bestow my gift on you as much as I am able.""Monsieur Puss came at last to a stately castle, the master of which was an Ogre, the richest ever known; for all the lands which the King had then passed through belonged to this castle.""Once upon a time there was a Queen who had a son so ugly and so misshapen that it was long disputed whether he had human form. A fairy who was at his birth said, however, that he would be very amiable for all that, since he would have uncommon good sense.""Once upon a time there was a widow who had two daughters. The elder was so much like her, both in looks and character, that whoever saw the daughter saw the mother.""The gentleman had also a young daughter, of rare goodness and sweetness of temper, which she took from her mother, who was the best creature in the world.""The King's son, who was told that a great princess, whom nobody knew, was come, ran out to receive her. He gave her his hand as she alighted from the coach, and led her into the hall where the company were assembled.""The next day the two sisters went to the ball, and so did Cinderella, but dressed more magnificently than before. The King's son was always by her side, and his pretty speeches to her never ceased.""The poor child was the drudge of the household, and was always in the wrong. He was, however, the most bright and discreet of all the brothers; and if he spoke little, he heard and thought the more.""The Prince, charmed with these words, and much more with the manner in which they were spoken, knew not how to show his joy and gratitude; he assured her that he loved her better than he did himself."
Perrault was born in Paris to a wealthy bourgeois family, the seventh child of Pierre Perrault and Paquette Le Clerc. Charles attended the best schools and studied law before embarking on a career in government service, following in the footsteps of his father and older brother Jean. He took part in the creation of the Academy of Sciences as well as the restoration of the Academy of Painting. In 1654, he moved in with his brother Pierre, who had purchased a post as the principal tax collector of the city of Paris. When the Academy of Inscriptions and Belles-Lettres was founded in 1663, Perrault was appointed its secretary and served under Jean Baptiste Colbert, finance minister to King Louis XIV. Jean Chapelain, Amable de Bourzeys, and Jacques Cassagne (the King's librarian) were also appointed. Due to his position as Colbert's administrative aide, he was able to get his his brother, Claude Perrault, rendition of the severe east range of the Louvre, built between 1665 and 1680, to be seen by Colbert. It was chosen over designs by Gian Lorenzo Bernini and François Mansart. One of the factors leading to this choice included the fear of high costs, for which other architects were infamous, and second was the personal antagonism between Louis XIV and Bernini.
He wrote La Peinture (Painting, 1668) to honor the king's first painter, Charles Le Brun. He also wrote Courses de testes et de bague (Head and Ring Races, 1670), written to commemorate the 1662 celebrations staged by Louis for his mistress, Louise-Françoise de La Baume le Blanc, duchesse de La Vallière.
He married Marie Guichon, age 19, in 1672, who died in 1678 after giving birth to a daughter. The couple also had three sons, Charles-Samuel (1675-?), Charles (1676-?), and Pierre (1678-?). Marie died in October of 1678, only months after Pierre's baptism.
Philippe Quinault, who was a longtime family friend of the Perraults, was gaining a quick reputation as the librettist for the new musical genre known as opera, collaborating with composer Jean-Baptiste Lully. After Alceste (1674) was denounced by traditionalists who rejected it for deviating from classical theater. In response, Perrault wrote Critique de l'Opéra (1674) and in it he praised the merits of Alceste over the tragedy of the same name by Euripides. His treatise was one of the first documents of the literary debate that was later to become known as the Quarrel of the Ancients and the Moderns.
He was a major participant in the French Quarrel of the Ancients and the Moderns (Querelle des Anciens et des Modernes), which pitted supporters of the literature of Antiquity (the "Ancients") against supporters of the literature from the century of Louis XIV (the "Moderns"). He was on the side of the Moderns and wrote Le Siècle de Louis le Grand (The Century of Louis the Great, 1687) and Parallèle des Anciens et des Modernes (Parallel between Ancients and Moderns, 1688—1692) where he attempted to prove the superiority of the literature of his century. Le Siècle de Louis le Grand was written in celebration of Louis XIV's recovery from a life-threatening operation. Perrault argued that because of Louis's enlightened rule, the present age was superior in every respect to ancient times. He also claimed that even modern French literature was superior to the works of antiquity, and that, after all, even Homer nods.
In 1682, Colbert gave his son, Jules-Armand, marquis d'Ormoy, the same tasks as Perrault and forced him into retirement at the age of fifty-six. Colbert would die the next year, and he stopped receiving the pension given to him as a writer. Colbert's successor, François-Michel Le Tellier, marquis de Louvoi, who was jealous of Colbert, quickly removed from the Little Academy.
After this, in 1686, he decided to write epic poetry and show his genuine devotion to Christianity, and wrote Saint Paulin, évêque de Nôle (St. Paulinus, Bishop of Nola, about Paulinus of Nola). Just like Jean Chapelain's La Pucelle, ou la France délivrée, an epic poem about Joan of Arc, Perrault became a target of mockery from Nicolas Boileau-Despréaux.
In 1695, when he was 67, he lost his post as secretary. He decided to dedicate himself to his children and published Tales and Stories of the Past with Morals (Histoires ou Contes du Temps passé) (1697), with the subtitle: Tales of Mother Goose (Les Contes de ma Mère l'Oie). Its publication made him suddenly widely-known beyond his own circles and marked the beginnings of a new literary genre, the fairy tale. He had actually published it under the name of his last son (born in 1678), Pierre (Perrault) Darmancourt ("Armancourt" being the name of a property he bought for him), probably fearful of criticism from the "Ancients". In the tales, he used images from around him, such as the Chateau Ussé for Sleeping Beauty and in Puss-in-Boots, the Marquis of the Château d'Oiron, and contrasted his folktale subject matter, with details and asides and subtext drawn from the world of fashion. He died in Paris in 1703 at age 75.
