This fifth entry in the popular Novel Ideas Mystery series, the second since author Susan Furlong took over the series from its initial co-authors writing as Lucy Arlington, is another winner. I promise to stop hearkening back to the original co-authors in the future; Ms. Furlong has proven her mettle and is now the secure owner and proprietor of the Lucy Arlington franchise. In my experience, 99 percent of the time a new author takes over another author's mystery series, the result is an unsatisfying shadow of the real thing. This instance, however, is the one percent exception that proves the rule. Susan Furlong's two books in this series carry the characters and situations forward seamlessly and accurately. Her books might even be better than the first three. So...enough about that. We can all be happy that Ms. Furlong is now running the show.
And a show it is. If you work at a literary agency in the small North Carolina town of Inspiration Valley, one of the best ways to get a new cast of potential murderers and murder victims into town is to have an exposition or show. In the last two books we had a cookbook show and a combined gardening-landscaping expo. In this one, it's a wedding planning and bridal exposition set to take a week highlighting all aspects of wedding planning while showing off many of the agency's best authors and books.
Lila Wilkins, the book's viewpoint character, is one of the literary agents charged with organizing and running the event. She is also engaged to be married at some as-yet undetermined date in the near future to a local detective, Sean Griffiths. Their romance has been percolating through the previous four books and is now approaching its logical next step. Lila hopes to enjoy planning her own wedding as she learns from the many facets of the exposition.
Unfortunately, the characters in the book don't know--as we readers certainly do--that there will soon be a murder. Sure enough, a local handyman with a reputation for shoddy work and a less-than-sterling character is offed by a nail-gun shot to the skull in the kitchen of the exposition hall. Lila, the poor dear, finds him while the fatal injury is still fresh.
As the plot unfolds, two of the agency's authors become suspects. One, Lila's new client whose first romance novel is soon to be released, is an abused ex-wife of the victim. The other author's recent book describes a murder done with--you'll never guess--a carpenter's nail gun. What police detective could resist arresting her?
Our beloved cast of characters, familiar from the previous books, works through challenging, pleasant, and satisfying events in their lives interwoven with the emergence of new clues leading eventually to the real murderer. Making this happen is a real challenge to most authors. For the series to go on for many books, the characters need to move forward in their lives, endure happy and sad changes, and grow and develop. In some books from less talented authors, their efforts to do this get in the way of the real story and frustrate me. Often, I truly don't care what's going on with the sister or other relative, the best friend, or other peripheral character. It seems to be annoying filler. Not so here. Susan Furlong is a master at making us care about those characters.
Those who could be nominated for Best Supporting Character include Lila's mother, who as The Amazing Althea reads tarot cards; Lila's son Trey, who has a change of heart in his first year of college; best friend Makayla, the local barista, who is also planning her wedding; and the whole crew at the literary agency. There's also an interesting bit of byplay with the agency's big boss adopting a problem dog that upsets the agency's long-time cat mascot and other more human folks.
The balance between these subplots and our primary concern, the murder, is exquisitely maintained such that we never notice that the author isn't talking about the murder for a while. All of it is interesting, fresh, and natural. This balance is one of the hallmarks of a truly well-crafted story; it sets this story head and shoulders above most of the competition.
Then finally at the end, all of the disparate threads come together in a satisfying revelation of who done it. The solution of this story has a different feel from most cozy mysteries. I can't tell you exactly why without spoiling the story for you, so you'll have to take my word for it and maybe think about it a little when you get to that point in the story yourself. I can tell you that I really like the difference.
When I finished the book, I sat back with a sigh of happy satisfaction. How nice to learn what's been going on with Lila, her family, and her friends. How nice to have a series of problems large and small solved with ingenuity and compassion. How nice to have the guilty securely in jail. How nice to know that in a year or so, there will be another installment in this series.
Get the book. Read it. Then you can share in that happy sigh of satisfaction at the end. What more could you ask?
(This review was originally written for BookPleasures.com.)
And a show it is. If you work at a literary agency in the small North Carolina town of Inspiration Valley, one of the best ways to get a new cast of potential murderers and murder victims into town is to have an exposition or show. In the last two books we had a cookbook show and a combined gardening-landscaping expo. In this one, it's a wedding planning and bridal exposition set to take a week highlighting all aspects of wedding planning while showing off many of the agency's best authors and books.
Lila Wilkins, the book's viewpoint character, is one of the literary agents charged with organizing and running the event. She is also engaged to be married at some as-yet undetermined date in the near future to a local detective, Sean Griffiths. Their romance has been percolating through the previous four books and is now approaching its logical next step. Lila hopes to enjoy planning her own wedding as she learns from the many facets of the exposition.
Unfortunately, the characters in the book don't know--as we readers certainly do--that there will soon be a murder. Sure enough, a local handyman with a reputation for shoddy work and a less-than-sterling character is offed by a nail-gun shot to the skull in the kitchen of the exposition hall. Lila, the poor dear, finds him while the fatal injury is still fresh.
As the plot unfolds, two of the agency's authors become suspects. One, Lila's new client whose first romance novel is soon to be released, is an abused ex-wife of the victim. The other author's recent book describes a murder done with--you'll never guess--a carpenter's nail gun. What police detective could resist arresting her?
Our beloved cast of characters, familiar from the previous books, works through challenging, pleasant, and satisfying events in their lives interwoven with the emergence of new clues leading eventually to the real murderer. Making this happen is a real challenge to most authors. For the series to go on for many books, the characters need to move forward in their lives, endure happy and sad changes, and grow and develop. In some books from less talented authors, their efforts to do this get in the way of the real story and frustrate me. Often, I truly don't care what's going on with the sister or other relative, the best friend, or other peripheral character. It seems to be annoying filler. Not so here. Susan Furlong is a master at making us care about those characters.
Those who could be nominated for Best Supporting Character include Lila's mother, who as The Amazing Althea reads tarot cards; Lila's son Trey, who has a change of heart in his first year of college; best friend Makayla, the local barista, who is also planning her wedding; and the whole crew at the literary agency. There's also an interesting bit of byplay with the agency's big boss adopting a problem dog that upsets the agency's long-time cat mascot and other more human folks.
The balance between these subplots and our primary concern, the murder, is exquisitely maintained such that we never notice that the author isn't talking about the murder for a while. All of it is interesting, fresh, and natural. This balance is one of the hallmarks of a truly well-crafted story; it sets this story head and shoulders above most of the competition.
Then finally at the end, all of the disparate threads come together in a satisfying revelation of who done it. The solution of this story has a different feel from most cozy mysteries. I can't tell you exactly why without spoiling the story for you, so you'll have to take my word for it and maybe think about it a little when you get to that point in the story yourself. I can tell you that I really like the difference.
When I finished the book, I sat back with a sigh of happy satisfaction. How nice to learn what's been going on with Lila, her family, and her friends. How nice to have a series of problems large and small solved with ingenuity and compassion. How nice to have the guilty securely in jail. How nice to know that in a year or so, there will be another installment in this series.
Get the book. Read it. Then you can share in that happy sigh of satisfaction at the end. What more could you ask?
(This review was originally written for BookPleasures.com.)
I've enjoyed Lucy Arlington's Novel Idea cozy series from the start. Off the Books-- like the other books in the series-- provides a good, solid mystery as well as a pleasant visit with a cast of characters who have become friends.
There's a bit more delving into the personalities of Lila and her boss Bentley here in book four. Lila is getting a severe case of pre-wedding jitters, and she really has to figure out why. Her boss Bentley has always been the high-handed genius who expects everyone to tug their forelocks when she snaps her fingers. With the addition of one little dog named Olive, we are given some insight into this demanding woman's character, and it's a welcome one.
One of the things I have always enjoyed about this series is its idyllic "bookworm heaven" setting of Inspiration Valley. Reading about this special place (that should exist but doesn't) is a welcome bit of fantasy for me. An added bonus is that each book uncovers more of the inner workings of a literary agency and how it deals with new authors, query letters, publicity, and manuscripts. Like me, many readers enjoy learning about what goes on behind the scenes to create the books we all love.
As I was reading Off the Books, I got the feeling that the series may be coming to an end because many loose ends that had been left dangling for a book or two (or three) were neatly tied up. However, that probably isn't the case. The first three books in the series were written by Ellery Adams and Sylvia May. This fourth book was written by Susan Furlong, and Furlong may have wanted to tie off some old plot threads in order to introduce some of her own in future books. I hope that is the case because this is one of my favorite series.
There's a bit more delving into the personalities of Lila and her boss Bentley here in book four. Lila is getting a severe case of pre-wedding jitters, and she really has to figure out why. Her boss Bentley has always been the high-handed genius who expects everyone to tug their forelocks when she snaps her fingers. With the addition of one little dog named Olive, we are given some insight into this demanding woman's character, and it's a welcome one.
One of the things I have always enjoyed about this series is its idyllic "bookworm heaven" setting of Inspiration Valley. Reading about this special place (that should exist but doesn't) is a welcome bit of fantasy for me. An added bonus is that each book uncovers more of the inner workings of a literary agency and how it deals with new authors, query letters, publicity, and manuscripts. Like me, many readers enjoy learning about what goes on behind the scenes to create the books we all love.
As I was reading Off the Books, I got the feeling that the series may be coming to an end because many loose ends that had been left dangling for a book or two (or three) were neatly tied up. However, that probably isn't the case. The first three books in the series were written by Ellery Adams and Sylvia May. This fourth book was written by Susan Furlong, and Furlong may have wanted to tie off some old plot threads in order to introduce some of her own in future books. I hope that is the case because this is one of my favorite series.
