Animal Sanctuary Author:Sarah Falkner Booklist review: — In a stealthily affecting reportorial voice, debut novelist Falkner tells the story of tepidly successful 1960s movie actress Kitty Dawson via interviews, critiques, press coverage, and plot summaries of her movies (one involves packs of rampaging dogs, another giant mutant rabbits). Kitty's intensifying affinity for anim... more »als inspires her and her husband to open a California sanctuary for abused and neglected "exotic big cats." We're also granted glimpses into the lives of Kitty's body double, a college student searching for a missing friend while on location in Africa; director Albert Wickwood, a clever and cutting variation of Alfred Hitchcock; and Kitty's son, Rory, a spiritually oriented performance artist. Other pieces in this brilliantly analytical, ironically funny, and tenderly empathic scrapbook novel illuminate curious parallels between hunting and filmmaking, the ethics of nature documentaries, the suffering of lab animals, discrimination against immigrants, the commercialization of art, and how movies "function in place of fairy tales and myths to shape what you fear and hope for." Stylistically fresh, culturally lush, intellectually exciting, and elegantly emotional, Falkner's provocative, surreptitiously beautiful novel dissolves the boundaries between animals and humankind, racial and ethnic groups, and men and women and reminds us that we can all "give and receive and be sanctuary." -- Donna Seaman
Publishers' Weekly review:In its first half, Falkner's unconventional, multi-layered, and well-crafted debut, winner of Starcherone's Prize for Innovative Fiction, tells the story of Kitty Dawson, an aging actress in the 1970s who, after working with animals in many films, creates an animal sanctuary for endangered lions and tigers. The second half, set in the present, concerns Kitty's son Rory Dawson, and his career as a conceptual artist. Readers learn about the characters though chapters such as "Some Mentions of Kitty Dawson in National and Local Press" or "Some Publications in Which Rory Dawson is Mentioned." Secondary characters emerge in the loose narrative, including Catherine, Kitty's on-set body double. In a chapter titled "Nature Films," readers meet Albert Wickwood, the director who gave Kitty her big break, via a press interview that's interrupted by italicized text of Kitty speaking with her therapist. In a later chapter, one of Rory's grant applications is juxtaposed with italicized commentary from an unnamed assistant in his workshop. The assistant's criticism of him and the art world in general culminates in her claim that "he cannot see that he is in fact one of many bricks in the wall of the temple of art; he helps build, maintain, and support these oppressive structures."« less