Helpful Score: 1
George Orwell's animal farm was written in 1946 and is still a classic. I loved reading it in school, and I Still love it. It's one of those books that you don't forget. It's simple, but good. The simple tale of communism, and takes place on a farm is a captivating story.
I liked this book.
As we approach the changing of the guard in the US, and the new and very disturbing Trump administration, i thought i'd take some of my reading time to revisit some classic dystopian tales from my early years. I have not read Animal Farm since i was in high school, over 40 years ago. Reading it today is more chilling than ever. Looking back on my life, and the events of the past 40+ years, it is quite easy to see that we in the US have not escaped the fate that the prophecy of Animal Farm portrays. Rather, we are settling comfortably into it, as dull witted to it as the "lower animals" were in this brilliant story. And as we move into 2017, it is clear that the pigs at the top are much more equal than the rest of us. A classic, prophetic, brilliant tale, more frightening and sobering than ever before. Now to get my hands on a copy of Nineteen Eighty-Four, another on my high school reading list.
The following constitutes much more a commentary than a review, as this is another book for which is almost impossible to perform the latter. I first read it in part when I was a teenager, as I was kind of fascinated with the Soviet Union, and then Russia, in the wake of the former's collapse, which occurred when I was still a teenager also. I read it with the intent of learning about the Russian Revolution from one of the world's greatest authors, and it didn't disappoint. What I probably like most about satire is that not everything is spelled out for a reader; you have to actually dig a little deeper to find what are essentially hidden messages, what we could call today "Easter eggs." That said, I admit that it was a bit confusing at the time, as I wasn't acquainted with all the key events (the book loosely follows the major players and phases of the Revolution, but doesn't fit exactly) or characters. The major players include:
-OLD MAJOR = probably a mixture of Karl Marx and Vladimir Ilyich Ulyanov (AKA Lenin
-NAPOLEON = Stalin (b. Ioseb Besarionis dze Jughashvili), a cruel, depspotic figure (I won't call him a leader; kidnapper, hostage-taker, more like) who uses military force to consolidate his power and near-constant subterfuge and propagdanda, with interittent episodes of explosive violence and intimidation to maintain it
-SNOWBALL = the far more eloquent and idealistic Trotsky, a figure most people today have never even heard of, who becomes the scapegoat for the regime's failures and shortcomings, and who is blamed and then blacklisted even from memory
-JONES = the Tsar, but probalby more the idealized figure of a King of All the Russians, who was considered semi-divine, or, by extension, the entire system of the monarchy, rather than the singular individual of Nicholas II
-SQUEALER = the propagandist, who seemingly represents a whole cast of characters and dispersal media for Napoleon's message
-BOXER = the proletariat, working class, who is initially idealistic but ceaselessly exploited for the ends of the elites, too stupid and overworked to understand their own plight, and who are worked to death and then, despite their loyalty, disposed of when they are no longer of any use
-BENJAMIN = the wise but cynical elder who's seemingly seen it all; he refuses to take sides, believing, probably correctly, that nothing really changes; the more things change, the more they stay the same; the only history that hasn't happened yet is the history we don't know
-MOLLIE, the vain, attention-seeking, self-absorbed mare who defects from the farm, as did the minor nobility who fled Russia after the Revolution when it became apparent that their lot had worsened considerably and that they could do better elsewhere and the two figures of
-MR. FREDERICK and MR. PILKINGTON, largely considered to represent Hitler (in the 30s and 40s) and the British/American alliance, respectively.
There are several key morals to this story, and in the interest of time and space here I won't recount all of them. I will simply say this: to me, the most profound message of this book, which differs somewhat from the more famous 1984, is: the tongue is mightier than the sword.
The key theme herein is the power of language, both in its use and misuse, to manipulate potential allies and supporters, and to overcome one's opponent and to silence debate; this book is further support for my attestation that Orwell was a Prophet: the degree to which Orwell (AKA Eric Blair) anticipates the ability of elites to manipulate language to further their agenda and the power of mass media is staggering. I think it's far more applicable in our own time than in his, when mass media was still really in its infancy, and had not yet attained its pervasive intrusion into almost every facet of life. For example, Napoleon can simultaneously use language to manipulate his followers and to silence his dissenters, by spreading false narratives, primarily surrounding the figure of Snowball, who is made a scapegoat for all of Napoleon's own failings, and by tolerating and even encouraging the bleating of the sheeple, I mean sheep, "two legs bad, four legs good," and then "four legs good, two legs better" (which is all the simpletons are able to understand) to silence any dissent, along with the use of jargon which is little understood by the uneducated, unintelligent and overworked masses.
Orwell is one of my favorite authors, a prospect that has disturbed me since childhood. I may have written this elsewhere before, but if there are modern-day prophets, he's one of them. There have been throughout history those people who, for whatever reason, can, simply put, see the future. They somehow can peer through the almost-infinite threads of time and events to see and describe one singularity, and can then espouse and describe the major events along the way with startling accuracy. I have no doubt that many of his predictions will come to pass; the question is simply when, and what comes next.
-OLD MAJOR = probably a mixture of Karl Marx and Vladimir Ilyich Ulyanov (AKA Lenin
-NAPOLEON = Stalin (b. Ioseb Besarionis dze Jughashvili), a cruel, depspotic figure (I won't call him a leader; kidnapper, hostage-taker, more like) who uses military force to consolidate his power and near-constant subterfuge and propagdanda, with interittent episodes of explosive violence and intimidation to maintain it
-SNOWBALL = the far more eloquent and idealistic Trotsky, a figure most people today have never even heard of, who becomes the scapegoat for the regime's failures and shortcomings, and who is blamed and then blacklisted even from memory
-JONES = the Tsar, but probalby more the idealized figure of a King of All the Russians, who was considered semi-divine, or, by extension, the entire system of the monarchy, rather than the singular individual of Nicholas II
-SQUEALER = the propagandist, who seemingly represents a whole cast of characters and dispersal media for Napoleon's message
-BOXER = the proletariat, working class, who is initially idealistic but ceaselessly exploited for the ends of the elites, too stupid and overworked to understand their own plight, and who are worked to death and then, despite their loyalty, disposed of when they are no longer of any use
-BENJAMIN = the wise but cynical elder who's seemingly seen it all; he refuses to take sides, believing, probably correctly, that nothing really changes; the more things change, the more they stay the same; the only history that hasn't happened yet is the history we don't know
-MOLLIE, the vain, attention-seeking, self-absorbed mare who defects from the farm, as did the minor nobility who fled Russia after the Revolution when it became apparent that their lot had worsened considerably and that they could do better elsewhere and the two figures of
-MR. FREDERICK and MR. PILKINGTON, largely considered to represent Hitler (in the 30s and 40s) and the British/American alliance, respectively.
There are several key morals to this story, and in the interest of time and space here I won't recount all of them. I will simply say this: to me, the most profound message of this book, which differs somewhat from the more famous 1984, is: the tongue is mightier than the sword.
The key theme herein is the power of language, both in its use and misuse, to manipulate potential allies and supporters, and to overcome one's opponent and to silence debate; this book is further support for my attestation that Orwell was a Prophet: the degree to which Orwell (AKA Eric Blair) anticipates the ability of elites to manipulate language to further their agenda and the power of mass media is staggering. I think it's far more applicable in our own time than in his, when mass media was still really in its infancy, and had not yet attained its pervasive intrusion into almost every facet of life. For example, Napoleon can simultaneously use language to manipulate his followers and to silence his dissenters, by spreading false narratives, primarily surrounding the figure of Snowball, who is made a scapegoat for all of Napoleon's own failings, and by tolerating and even encouraging the bleating of the sheeple, I mean sheep, "two legs bad, four legs good," and then "four legs good, two legs better" (which is all the simpletons are able to understand) to silence any dissent, along with the use of jargon which is little understood by the uneducated, unintelligent and overworked masses.
Orwell is one of my favorite authors, a prospect that has disturbed me since childhood. I may have written this elsewhere before, but if there are modern-day prophets, he's one of them. There have been throughout history those people who, for whatever reason, can, simply put, see the future. They somehow can peer through the almost-infinite threads of time and events to see and describe one singularity, and can then espouse and describe the major events along the way with startling accuracy. I have no doubt that many of his predictions will come to pass; the question is simply when, and what comes next.
Suspend reality - this is an other-wordly experience. Truly a classic.
